Metascore
81

Universal acclaim - based on 5 Critic Reviews

Critic score distribution:
  1. Positive: 5 out of 5
  2. Mixed: 0 out of 5
  3. Negative: 0 out of 5
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  1. 90
    Weller’s in sturdy, soulful voice throughout. There is virtually no interaction with the audience, yet he’s clearly invested in this performance. Even if you’re familiar with the older material, you’ll want to explore it again after hearing it revived with full orchestration. The audio mix is stunning, the strings and horns are beautifully conceived and the entire concert is a succinct and often challenging overview of one of the UK’s most consistently impressive and creative singer-songwriters.
  2. Q Magazine
    Apr 10, 2019
    80
    Whereas on record the songs tended towards the delicate, here they're fleshed out, with a richer sound that evokes The Zombies or Love. More vital, is how the set-up re-imagines earlier material. [Jun 2019, p.116]
  3. Mojo
    Mar 8, 2019
    80
    Predictably, there's a big hello-hurray for bold re-imaginings of The Jam's Private Hell and Boy About Town, but it's the big-orch performance of his solo jazz-psych-folk highlights that transport and intrigue. [Apr 2019, p.86]
  4. Mar 8, 2019
    80
    Haunting re-workings of “Private Hell” from the Jam’s 1979 Setting Sons resides next to solo favorites such as “You Do Something To Me,” both of which fit seamlessly into a set overtly and deliberately lush from its very start on “One Bright Star;” subsequently book-ended by “White Horses,” the program concludes with the appropriately emotional, but decidedly unsentimental flourish of “May Love Travel With You.”
  5. Mar 8, 2019
    70
    Against all odds, Weller has delivered a live album as quietly adventurous and resonant as the studio album it supports.

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