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It's all done with skill and to great effect, and the album is good for mood-setting background or forefront reflection, or for some combination of the two.
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Under The RadarFew albums are both so intrepid and so balanced at the same time. [#13, p.98]
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Acher’s still a brilliant musician, and Bohm has the capacity to wreak some vicious vocal havoc. But now, fitting into a niche that they once helped epitomize, their record sounds stale.
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It’s not a great album, though. For moody, guitar-reinforced electronic pop, Ladytron’s Witching Hour has it beat.
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Backed by Archer's stark soundtrack, Bohm remains as cool as the proverbial cucumber; her pretty-yet-monotone voice never betraying her stoic front.
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UrbCan get a bit monotonous and boring, but besides that a moody, grinding listen. [Mar 2006, p.123]
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Notes and the Like is par-for-the-course lap-pop.