• Record Label: Merge
  • Release Date: May 4, 2015
Metascore
72

Generally favorable reviews - based on 22 Critic Reviews

Critic score distribution:
  1. Positive: 16 out of 22
  2. Negative: 0 out of 22
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  1. May 8, 2015
    80
    MCIII goes to show that Mikal Cronin is someone who follows instincts worth following, but who is also wise enough to know that what’s in your imagination can always become bigger and better the more you work at it.
  2. May 5, 2015
    80
    Cronin could have just kept cranking out the same album over and over; that he chose to take a risk and go big showed some real guts. That he was able to make it work as well as he did shows some real skill and should make anyone who liked the first two albums really happy.
  3. May 5, 2015
    80
    It’s not a few hits padded out with rote genre exercises--it’s thematically consistent and maintains a high level of craftsmanship throughout. Dads and grads can both dig it.
  4. May 1, 2015
    80
    It's a feat of musical arrangement and of lyricism, sure, but in essence, it's the songwriting on MCIII that really makes it such an achievement.
  5. Apr 30, 2015
    80
    Now and then, as on Say, the bigness of the music prevents you from really hearing and feeling the lyrics through the trumpet blasts and huge solos. But then I've Been Loved comes along, sounding a bit like the Eagles and touched with seriously melancholy cello, and you sense the gravitas beneath the dizzying crescendos.
  6. Apr 29, 2015
    80
    MCIII is a great record because it gives us a scattered, messy, but uncompromisingly honest portrait of Cronin himself. Nothing is overthought, nothing is too considered.
  7. 80
    Cronin is often at his best when laid bare, and one of MCIII's greatest moments is the relatively sparse closing track "vi) Circle."
  8. 80
    Cronin’s knack for languid songwriting is enhanced by adding more opulence.
  9. 75
    MCIII is, in the end, the perfect sunny day album.
  10. May 5, 2015
    75
    The record is so awash in its own lushness--occasionally sounding like the orchestra pit of strings and horns Merge has on retainer has tripled in size--that it seems unimaginable even the most versatile songwriter could cram that many music stands into a practice space.
  11. May 1, 2015
    75
    Even if MCIII falls shy of its lofty predecessor, this record marks his most ambitious outing to date and makes it impossible not to already start anticipating MCIV.
  12. May 5, 2015
    70
    The arrangements are hyped-up and lush, the harmonies are soaring, and there is at least one bona fide prog opus.
  13. Uncut
    Apr 29, 2015
    70
    It never quite matches the promise of the excellent opening half. [Jun 2015, p.75]
  14. Apr 29, 2015
    70
    MCIII might fail to live up to its billing as concept album, but it absolutely doesn’t fail to provide a steady stream of big-hearted guitar-pop songs.
  15. Nov 5, 2015
    67
    Missing the shambolic charm of Cronin's earlier work, MCIII nevertheless guarantees bigger stages.
  16. May 7, 2015
    61
    Cronin’s dulcet hesitance has given way to slightly meeker delivery. The hooks are there--in the engaging vocal counterpoint to a descending horn line on the bridge of "Say", for instance--but they’re difficult to appreciate.
  17. Mojo
    May 20, 2015
    60
    Though mostly a one-man affair, he covers a lot of ground across the album's 11 tracks. [Jun 2015, p.86]
  18. May 19, 2015
    60
    In short, if you liked what you heard on MCI and MCII, MCIII is more of the same, only slathered in lush arrangements with a little less of the raw outbursts of his earlier garage-y grunge sound.
  19. May 8, 2015
    60
    Though it manages to be both lovely and adventurous, too often MCIII sounds like Cronin falls back on the string beds instead of utilizing them with the same fervor he used to reserve for crunchy, just-this-side-of-DGAF riffs.
  20. Apr 30, 2015
    60
    Cronin’s previous album was something of a messy listen, and MCIII doesn’t offer the solution. But behind the debris, there are glimmers of shimmering greatness.
  21. Q Magazine
    Apr 29, 2015
    60
    Side one isn't bad either, even if it doesn't quite scale the same heights.... A mostly impressive set. [Jun 2015, p.103]
  22. May 12, 2015
    50
    Side one of MCIII consists of perfectly enjoyable songs, with similar ingredients--piano, interesting guitar work, a voice reminiscent of ‘60s pop, but that ineffable thing that makes songs stick in your head just doesn’t seem to be here.... The second half of the album is problematic in a different way.
User Score
7.3

Generally favorable reviews- based on 15 Ratings

User score distribution:
  1. Positive: 10 out of 15
  2. Negative: 1 out of 15
  1. May 5, 2015
    7
    It's just great. I loved his first two albums, and in this one the only thing he does (and it was a great decision) is experiment more andIt's just great. I loved his first two albums, and in this one the only thing he does (and it was a great decision) is experiment more and make it bigger. His voice really expresses and his solos are more expansive than ever. Although it feels like it loses momentum after the first half, after you listen it a few times, it all starts to make sense. Full Review »