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Long Long Road Image
Metascore
77

Generally favorable reviews - based on 7 Critic Reviews What's this?

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  • Summary: Ringo Starr's second country album produced by T Bone Burnett features contributions by such artists as Sheryl Crow, Billy Strings, St. Vincent, and Molly Tuttle.
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Score distribution:
  1. Positive: 5 out of 7
  2. Negative: 0 out of 7
  1. Apr 24, 2026
    80
    A bare quaver and a patch of rough grit here and there are the only signs you’re listening to an octogenarian. The grit actually gives Starr’s voice some character, especially alongside Tuttle on the heartbreaker “She’s Gone” or the sublime duet “You and I (Wave of Love).”
  2. Apr 24, 2026
    80
    Throughout, Starr’s drumming is reliably great, and while he may indeed have travelled a long long road, here he sounds 85 years young. [Jun 2026, p.86]
  3. Uncut
    Apr 24, 2026
    80
    The title track ends proceedings on a high, with Sheryl Crow on backing vocals, a smattering of mandolin and a semi-surreal spoken interlude in which Starr sounds ever so zen. It ends, as it surely should, with a single snare shot, delivered like the most emphatic of full stops. [May 2026, p.30]
  4. Apr 24, 2026
    70
    Embracing simple yet infectious lyricism, impressive guitars and folksy harmonies, Starkey has created another unadulterated Americana album in ‘Long Long Road’, carving his name deeper into the hall of fame.
  5. Apr 24, 2026
    70
    You'd have to go back to the 1970s to find a Ringo Starr solo album that was as well-crafted with his particular skills in mind as Look Up, and Long Long Road shows Burnett and Starr continue to work together beautifully.
  6. Apr 24, 2026
    60
    There’s nothing challenging about this record. But it offers undemanding companionship, toe-tapping tunes and a timeless reminder that all you need is love.
  7. Apr 24, 2026
    60
    There are moments on Long Long Road where Burnett almost makes his case: the rollicking "Baby Don't Go" is endearing, and Ringo is especially having fun on line dance-ready "Why." Much like Brian Wilson's feature-heavy No Pier Pressure, however, Starr mostly feels like a guest on his own album.