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Trans Am's Liberation is one of those rare albums that combine great musicianship, irony, sonic diversity, and originality. And to top it all off, the album rocks.
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While I’ll miss how amusingly unpredictable TA could be, I can’t complain about their first long-player that works, front to back.
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A political record as grand, explicit, and opaque as Radiohead's Hail to the Thief.
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Q MagazineThere is something unceasingly engaging about Trans Am. [Apr 2004, p.122]
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An interesting collage of styles.
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It's a bit of a disappointment considering the rich subject matter, though Trans Am prove themselves once again masters of their own oblique domain.
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Alternative PressThey've beefed up their bombastic prog-rock guitars and grandiose, Teutonic synth motifs to new levels of virtuoso excess. [Feb 2004, p.93]
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The WireIf nothing else, these [political] elements give Liberation a darker hue. [#240, p.67]
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‘Liberation’ is the most damning indictment of the Bush administration yet recorded, and it’s all subliminal. Magnificent.
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UrbGleefully uneasy listening. [Feb 2004, p.82]
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Entertainment WeeklyUnfortunately, Trans Am's New Order-meets-Chemical Brothers synth-nostalgia seldom provides a sufficiently scintillating soapbox. [20 Feb 2004, p.67]
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An ambitious, if flawed new album that once again tries to include many different things on one release, but unfortunately stumbles in several places.