by
Harry Styles
- Record Label: Columbia
- Release Date: Mar 6, 2026
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Mar 18, 2026More than anything, Styles sounds tired on Kiss All the Time. Disco Occasionally, which is not to say unoriginal or less than innovative. Rather, he sounds tired of trying to check boxes on someone else’s list, and he’s trying to figure out his own sound as an adult man in his third decade as an entertainer.
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Mar 9, 2026Intermittently delightful if sometimes obtuse fourth album.
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Mar 4, 2026The results are always interesting and fun, but often hard to get a hold of – a slippery confection of influences that never stay still for too long lest they reveal a lack of depth.
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Mar 4, 2026There’s something oddly laudable about an album that doesn’t seem desperate to be loved, even if the results are occasionally a little too opaque for their own good.
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Mar 9, 2026There are enough nods on Kiss All the Time to Styles’ stated influences—-a sharp, craggy synth running through “Season 2 Weight Loss”; chattering drum machine on the bittersweet Wolfgang Amadeus Phoenix-ish highlight “Taste Back”—that you can at least identify his intention. (This isn’t Dua Lipa talking up a Britpop album before delivering nothing of the sort with Radical Optimism.) But Styles undermines himself every time with moves straight out of the stadium-pop playbook.
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Mar 10, 2026While his charisma and star power remain undimmed, too much of this record is – pun intended – style over substance.
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Mar 9, 2026The result is a collection of futile, brooding songs that tries to encapsulate bigger-than-life emotions but ends up being too afraid to truly delve into them. He could just need a little love from someone, anyone, to get that refined taste back.
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Mar 4, 2026The music is pleasant enough, but there is no “As It Was,” “Golden,” or “Adore You” here. And, frankly, Styles needs songs that are big like those, because he’s just not as interesting when all of the would-be beat drops never pay off.
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