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- Record Label: Yep Roc
- Release Date: Nov 1, 2024
- Artist(s): Ken Fox, Peter Zaremba, Keith Streng, Vibeke Saugestad
- Summary: The latest full-length release from New York garage rock band The Fleshtones was recorded with Michael Giblin.
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- Record Label: Yep Roc
- Genre(s): Pop/Rock, Alternative/Indie Rock, Indie Rock, Garage Rock Revival
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Score distribution:
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Positive: 6 out of 6
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Mixed: 0 out of 6
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Negative: 0 out of 6
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Nov 21, 2024The Fleshtones continue delivering their no-frills version of what they dub “SUPER ROCK” throughout It’s Getting Late (…and More Songs About Werewolves), via confident riffs, banging drums and vocals filled with jokes, immediacy and just a touch of yearning honesty.
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Jan 17, 2025Their 20th album, an absolute hoot of a disc that shows no signs of age or frailty.
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MojoNov 21, 2024They still sound remarkably fresh, and here their short (only three of the 14 songs last longer than three minutes), sharp shock still kicks hard. [Jan 2024, p.86]
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Classic Rock MagazineNov 21, 2024The band’s rambunctious twentieth studio set stomps and shakes like an irreverent collision between Sam The Sham and The Stooges on Morphine Drip, Big As My Balls and Wah Wah Power. Druggy mantra Come On Everybody Getting High With You Baby Tonight evokes 60s Bay Area psych, The Hearse classic surf instrumentals. [Nov 2024, p.74]
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Nov 21, 2024Keith Streng's vocals and guitar, Peter Zaremba's vocals and keyboards, Ken Fox's bass, and Bill Milhizer's drumming still lock together like a jigsaw puzzle, with even more enjoyable results.
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UncutDec 9, 2024They show little interest in shaking up the formula they established with 1982’s mighty Roman Gods. And that’s just fine given the lusty energy that frontman Peter Zaremba and guitarist Keith Streng muster up on the memorably greasy “The Consequences”, the self-explanatory “Wah Wah Power” and other time-defying displays of undimmed bravado. [Jan 2025, p.34]