Buy Now
| Buy on |
|
- Critic score
- Publication
- By date
-
Feb 6, 2017Mick Harvey deserves every accolade that will certainly be festooned upon this album for not only showing us Gainsbourg’s brilliance but his own as well.
-
Jan 23, 2017As with any Harvey project, the musicianship is of the highest, yet understated, order.
-
Jan 23, 2017Like Serge Gainsbourg’s contrarian career as a whole, there are lot of hidden profundities and canny pleasures to decipher and uncover here. This makes Intoxicated Women a dense yet rewarding affair, which should satisfy and intrigue hardcore Mick Harvey fans and Sergeologists alike for some time.
-
Jan 20, 2017Harvey sends off his final Gainsbourg project with the same spirit he introduced it with: savvy, humor, and an illuminating musical and literary spirit that defies anyone to follow him. Ultimately, it's perhaps the only kind of tribute Gainsbourg could--or would--accept.
-
MojoNov 9, 2016Intoxicated Women makes you fall in love with Gainsbourg and his women all over again. [Dec 2016, p.95]
-
Q MagazineNov 9, 2016In short: superb. [Dec 2016, p.106]
-
UncutNov 9, 2016Following much beauty and polymorphous perversity, the climactic take on Histoire De Melody Nelson's "Cargo Cult" is a fittingly epic finale. [Dec 2016, p.30]
-
Nov 9, 2016Like Gainsbourg’s music as a whole, there’s too much going on here to do justice to the collection’s many layers.
-
Feb 15, 2017With Intoxicated Women we don’t get starlets and a known bad boy tussling in the spotlight. We get Harvey and his cast of players dusting off old scripts of prior perversions, delivering them to a world that fancies itself jaded, but is just as confused as ever.
-
MagnetDec 15, 2016It's jauntier, if still jaundiced, and contains some of Gainsbourg's best compositions. [No. 138, p.57]