- Critic score
- Publication
- By date
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The slower stuff vagues out, and the bonus disc of ambient instrumentals ought to come with a controlled substance, but elegant relationship songs such as the torchy "Forever" suggest this talented softy has found a sensible way to come down from a multiplatinum high.
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BlenderSinging on nearly every song, the techno star gets more up-close-and-personal here--a ballsy move for someone the Lord didn't heap with vocal gifts, but one that pays off. [Apr 2005, p.124]
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Impeccably made, hedonistic, lovelorn, catchy, compelling. But spiritual, messianic, visionary? Not by a long shot.
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MojoA slightly muted, at times infuriatingly uneven, but ultimately rewarding collection. [Apr 2005, p.89]
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Q MagazineWhen it works... he is as heroically spirit-raising and stomach-tighteningly emotional as he was on Play.... Yet, when Moby plods, it's as if the world is burning with boredom. [Apr 2005, p.121]
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Hotel is more focused than 18, but suffers a bit for it's dogged humility and raw emotionalism.
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A few moody moments work, but this CD should come with a warning sticker that reads vacant.
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Hotel is aptly titled: it's ultimately a clinical, generic experience.
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Uncut[A] fruitless bid to affect euphoria. [Apr 2005, p.97]
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Apart from the lovely ambient instrumentals that open and close it, the album is all valley and no peaks.
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A very dull record.
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UrbThe frustrating saving grace is a bonus disc of fluid, pain-killing Brian Eno pastiche. [Jun 2005, p.75]
Awards & Rankings
User score distribution:
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Positive: 33 out of 64
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Mixed: 11 out of 64
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Negative: 20 out of 64
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Mar 31, 2013
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Dec 29, 2015
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MikeMar 27, 2007The worst moby album to date.