- Critic score
- Publication
- By date
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Q MagazineShe sings [everything] so prettily that you wonder just how authentic her misery really is. [Aug 2006, p.113]
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UrbQuite boring. [Jul/Aug 2006, p.125]
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Under The RadarTombs doesn’t smack of inauthenticity--you just find yourself wishing that she’d had gone whole-hog into her Nashville play. [Summer 2006]
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BlenderShe's a surprisingly convincing country singer. [Sep 2006, p.143]
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SpinBarroom confessions that are more soulful, if somewhat less tuneful, than her day band's. [Sep 2006, p.106]
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Millan's first solo effort is solid, but it feels like more of an experiment than anything.
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Honey's more fleshed-out productions show Millan has the ability to be engaging on her own, but they are too scarce to make this album anything more than a humble footnote.
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In country music, it’s all about the chops--and Millan doesn’t have ‘em. Yet.
User score distribution:
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Positive: 5 out of 8
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Mixed: 1 out of 8
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Negative: 2 out of 8
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ronaOct 15, 2006amys voice is always nice but the music is mostly flat and uninspired
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ThomasCSep 5, 2006wow, what a disappoinment.
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MattD.Aug 27, 2006