Metascore
79

Generally favorable reviews - based on 11 Critic Reviews

Critic score distribution:
  1. Positive: 10 out of 11
  2. Negative: 0 out of 11
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  1. Mar 18, 2026
    80
    This is an album for coffee and rainy Sunday mornings. For driving your kids to the park on an unseasonably warm February afternoon. For unwinding at the end of the night with a glass of red wine. The older I’ve gotten, the more I’ve found beauty within rare moments of calm. Hen’s Teeth is an album that matches that mood, and perhaps you can chalk it up to a personal aligning of the stars, but right now it’s everything I need.
  2. Feb 27, 2026
    80
    This record, and Light Verse, show that he is still searching, still working hard, and still able to imbue his albums with the same deep feeling and unstinting beauty that he has from the beginning.
  3. Feb 25, 2026
    80
    Another Iron & Wine album that consolidates Beam’s reputation as a songwriter of distinction.
  4. Record Collector
    Feb 24, 2026
    80
    The result is a record of many radiant treasures, inviting and rewarding maximum immersion. [Mar 2026, p.105]
  5. Uncut
    Feb 24, 2026
    80
    Hen's Teeth is where Beam truly leans into the possibilities of dropping simple songs into the laps of intuitive musicians and delighting in what emerges. [Mar 2026, p.27]
  6. Mojo
    Feb 24, 2026
    80
    Hen's Teeth is benchmark roots music from start to finish. [Apr 2026, p.85]
  7. Mar 3, 2026
    75
    With Hen’s Teeth, again, Sam Beam brings us more well-aged Iron & Wine.
  8. Feb 24, 2026
    75
    Even on its own merits and severed from its sibling, Hen’s Teeth is a reminder of Sam Beam’s stirring songwriting prowess and how he has always been capable of wringing new sentiments and ideas out of his tried-and-true indie-folk milieu.
  9. Mar 3, 2026
    70
    The songs start bare and personal, and if they swell with strings or rollick with muted celebration (as in whirling “In Your Ocean”) they never really escape the quiet, contemplative category. Not that this is an entirely bad thing. There are still effortlessly shapely melodies, fitted like skin with perceptive turns of phrase. There are still very lovely arrangements, a little airy this time around, but neither slack nor stuffed nor overly attention hungry. And the musicianship is, as always, excellent.
  10. Mar 2, 2026
    70
    Maybe he’s lost the spartan immediacy of his earliest records, but he’s gained a sense of camaraderie that makes his music feel nourishing.
  11. Feb 26, 2026
    50
    The issue with Hen’s Teeth is its utter lack of bite.

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