- Critic score
- Publication
- By date
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Alternative PressEven if you can't fully grasp the disc's existential subject matter, Happy Hollow is still a pleasure on the ears. [Sep 2006, p.207]
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Entertainment WeeklyAll that metaphysical hand-wringing makes for some knotty songs, but the band attacks them with zeal. [25 Aug 2006, p.86]
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Intelligent indie-rockers, look nor listen no further for your possible album of the year.
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It's Cursive at their finest, challenging and smart and absolutely riveting.
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Filter[Kasher's] storytelling is still right up there with the very highest of Saddle-sitters. [#21, p.97]
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Like its predecessor, Happy Hollow is a moody album with an inherent instability.
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BlenderMusically, his furiously gear-shifting punk-pop, full of horn blasts and arty production tricks... never fails to rock the sermon. [Aug 2006, p.107]
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It's an often frustrating listen, but in the end the album is a triumph.
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UrbA lively collection. [Sep 2006, p.132]
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SpinAn emo album that you don't have to be 17 to actually enjoy. [Sep 2006, p.100]
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MojoHappy Hollow swings with the nutty abandon of Madness, sharpened with the literate punk frenzy of Fugazi. [Oct 2006, p.104]
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An ambitious, sprawling string of songs.
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MagnetA personal (and personnel) triumph for the band. [#73, p.90]
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There’s an attention to detail and storytelling nous built up by those previous concept albums that makes further listening and exploration of Happy Hollow that much more rewarding.
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In the end it’s the guitars, which alternate from restrained, melodic jangles to serrated feedback screams, and the general sense that Happy Hollow chronicles life during wartime that hold these 14 tune together, hymns or otherwise.
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UncutHappy Hollow serves up more emo with prog on the side, then adds dirty blues, cabaret and art-rock garnish. [Sep 2006, p.79]
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Under The RadarWhile the album somewhat lacks the emotional punch of The Ugly Organ, it makes up for it in a fine storytelling tone and some bitchin’ horns. [Summer 2006]
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Rolling Stone[Kasher] stretches his tormented yowl and harsh guitars, with his band bashing even louder than on its 2004 breakthrough, The Ugly Organ. [7 Sep 2006, p.105]
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Cursive aspires for greater things, and Kasher’s aims are marred by over-production, a Nickelback whoosh here, a digitized cascade there.
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The first seven songs kill, but the album's second half drags on longer than a Def Jam debut.
User score distribution:
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Positive: 15 out of 20
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Mixed: 5 out of 20
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Negative: 0 out of 20
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BenSMar 21, 2007
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MitchMSep 5, 2006A fun ride the whole way through. Better than Ugly.
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KennyMSep 5, 2006