by
Radiohead
- Record Label: XL Recordings
- Release Date: Aug 13, 2025
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Sep 16, 2025Though the band more or less commits to replicating their studio arrangements, their attention to detail (the whining synth harmonies on “Where I End and You Begin,” the melodramatic backing chords of “Sail to the Moon”) feels grandly ambitious, rather than stodgily clinical. At least several songs feel greater than the sum of their already formidable parts.
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Record CollectorOct 3, 2025Even if stronger records would follow, the fuel that energised them is on often glorious show here. [Nov 2025, p.95]
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MojoSep 17, 2025Captures Radiohead during their majestic 2000s, delivering muscular, meticulously detailed material to an audience eager for rousing, off killer anthems (There, There) and piano-led laments (We Suck Young Blood) alike. [Nov 2025, p.101]
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Sep 16, 2025For any critics who complained that Hail to the Thief was just too long, bloated, and disjointed, this is the course correction that'll give that album the justice it has always deserved.
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UncutSep 16, 2025Their selection is most impressive during climactic moments - the opening double whammy of an explosive "2=2+5" and impatient "Sit Down. Stand Up" a frantic "Where I End And You Begin", a thunderous, almost unhinged "Myxomatosis" - but quieter moments like the skittish "The Gloaming also flourish. [Nov 2025, p.50]
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Sep 16, 2025It’s no surprise the performances are across-the-board great, taken from Dublin, Amsterdam, London, and Buenos Aires.
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Classic Rock MagazineNov 13, 2025It can't and shouldn't replace the original, but this is a fascinating insight into the band's creative process and latter-day regrets. [Dec 2025, p.79]
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