- Critic score
- Publication
- By date
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Entertainment WeeklyIt's a studio-geek jam session that, in terms of sonic inventiveness, nearly beats the DJ-savvy original. [16 Dec 2005, p.82]
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The most rewarding reworkings (Boards of Canada's "Broken Drum," Octet's "Girl") come from those who avoid novelty and realize that, underneath all the blips and glitches, Beck is just a soul man.
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Alternative PressMost of [the remixers] subtly tweak the originals into charming facsimiles of Beck's clap-happy, orchestral folk-blues funk ditties. [Mar 2006, p.138]
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SpinCut Mr. Hansen up, and he reassembles nicely, but weirdly enough, it's tough to out-Beck Beck. [Jan 2006, p.92]
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A surprisingly cohesive rethink that manages several times to outshine its source material.
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Billboard"Guerolito" proves that remixes do not have to work solely for dance crossover: They can give a well-received album new legs among its original fans, too. [17 Dec 2005]
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Rolling StoneGuerolito is like Guero's spazzy, endearing little brother. [15 Dec 2005, p.154]
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The New York TimesBeck's original versions now sound restrained and single-minded, probably truer to the songs. The remixes are busier and dizzier, leaving Beck to his melancholy while they have some fun. [12 Dec 2005]
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The reinventions that fare best are the ones that come from the minds and hands of producers who dare to alter the attitude of the original compositions.
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Over the course of the LP... the toe-tapping comfortably outweighs the head-scratching.
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New Musical Express (NME)Will... have you oiling your joints and gearing up for a bit of robobooty gyration. [21 Jan 2006, p.33]
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Only half of these tracks provide truly valuable alternatives to Guero songs.
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Even for an artist this venerable, a remix record is still a remix record-- generally uneven, part enlightening, and part skippable.
User score distribution:
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Positive: 19 out of 25
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Mixed: 3 out of 25
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Negative: 3 out of 25
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Nov 26, 2017
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GabeCOct 10, 2006
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danielarFeb 28, 2006I think it´s a really great album, the music and the lyrics are just perfect.