- Critic score
- Publication
- By date
-
Her new album lays into her ex-husband with devilish choruses and potent hooks.
-
Funhouse would be more fun if Pink went easier on the bad-love songs.
-
Frustratingly, the sound and the fury is followed by a string of damp ballads charting her split from her husband, but Funhouse is a solid album nevertheless.
-
The bigger the gamble, the stronger she feels. By the end of the record, she’s lassoing the moon, getting through her loneliness the way she got past teen pop: by sheer force of will.
-
The otherwise likeably raunchy and bratty Pink is now officially walking a fine line, leaning dangerously close to the humdrum.
-
Angst is very well in small doses, but over an entire album it can start to grate.
-
In the end, Funhouse bites off more than it can chew, but it never chokes on its ambitions: it shows Pink as one who is unsure of her post-marital identity, hopping around from emotion to emotion without ever settling onto a state of stability until the album’s well-timed closing moments.
-
Even though Pink oozes disappointment in herself and others, her music mostly fails to keep up.
-
Pink can reach unusually stirring heights when in the right register. That register, on Funhouse, is something close to despondence with a lot of tiredness thrown in--just enough to make Pink forego her instinct for winking and simply sound pained instead.
Awards & Rankings
User score distribution:
-
Positive: 146 out of 175
-
Mixed: 9 out of 175
-
Negative: 20 out of 175
-
Aug 3, 2012
-
Nov 7, 2012
-
Jun 11, 2011