From Out of Nowhere
by Jeff Lynne's ELO
  • Record Label: Columbia
  • Release Date: Nov 1, 2019
Metascore
70

Generally favorable reviews - based on 9 Critic Reviews

Critic score distribution:
  1. Positive: 5 out of 9
  2. Mixed: 4 out of 9
  3. Negative: 0 out of 9
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  1. Q Magazine
    Nov 19, 2019
    60
    It's warmly unreal how in thrall he remains to The Beatles, from melodic progressions down to the thwack of drums, but these heartache-powered ballads retain a simple elation at the power of rock'n'roll. [Jan 2020, p.110]
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  2. The Telegraph (UK)
    Oct 31, 2019
    60
    From Out of Nowhere could be an ELO album from 40 years ago, albeit with a bit of added digital polish.
  3. AllMusic
    Oct 31, 2019
    60
    As elegant as they are, the melodies don't easily lodge in the subconscious, but the bigger problem is that the production -- by Lynne, who plays virtually every note on the record -- is airless and precise. This dryness is a remnant of the digital age, where every element in a recording is exactly in the right place, and if it's not quite a drawback, it does mean From out of Nowhere can be a bit of an uncanny valley: it's close enough to a genuine item to satisfy, yet different enough to disarm.
  5. Consequence
    Nov 5, 2019
    58
    From Out of Nowhere isn’t going to be turning heads in 2019 with its lackluster production and, at times, generic lyricism. But it does remind us that Jeff Lynne is one of pop music’s greatest hook writers, and that skill isn’t easily forgotten.

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User Score
8.3

Universal acclaim- based on 14 Ratings

User score distribution:
  1. Positive: 11 out of 14
  2. Mixed: 3 out of 14
  3. Negative: 0 out of 14
  1. JTashiro
    Nov 4, 2019
    10
    Great to hear new music from Jeff Lynne's ELO. He plays all instruments and all vocals, with help from Richard Tandy on keyboards and hisGreat to hear new music from Jeff Lynne's ELO. He plays all instruments and all vocals, with help from Richard Tandy on keyboards and his sound engineer for percussion. Jeff can do whatever he likes in his studio and produce amazing music. Listen to the album more than once and the tunes begin to stick and pop out ... that's the treat. Gone are the days of tracks backwards snippets and intro tracks, songs fading into each other ... they are firmly in the past. Enjoy each track stand-alone for the polish and care that Jeff has put into each one. Listen with headphones for the best sound and wonder at the skill of a master.… Full Review »
  2. trevortjes
    Nov 4, 2019
    5
    The biggest mistake you can make is trying to compare this album to any ELO album (excluding Zoom). Jeff Lynne has had so many producing jobsThe biggest mistake you can make is trying to compare this album to any ELO album (excluding Zoom). Jeff Lynne has had so many producing jobs after Balance of Power came out, his sound and technique and producing skill have changed tremendously. What survived throughout the years though is Jeff's love for interesting chord changes and accompanying melodies.

    From out of Nowhere really from time to time gives you the feeling that you've heard this one before as the sound is very comparable to all other solo efforts from the past. Despite of that, Jeff managed to add some new sounds we've not really heard him doing before. For example All My Love and Sci-Fi Woman.

    The production on this album is near perfect and not necessarily in a good way. It sounds like some songs are heavily copy and pasted together and notes sound dead on on the beat. Maybe it's the curse of the digital age where all of this is possible, and a trap to all veteran producers who learned how to overdub with tape machines. Besides that, all songs are loud, even the "sweet closer" Songbird has loud drums that are audible throughout the whole album. There is really a wall of sound going on and some songs sound claustrophobic, no instrument is getting space to breath. In turn strummed guitars, piano and jeff's "signature" bag of sand snare tone makes the record sound muffled.

    This record proves again that Jeff Lynne alone is not capable of writing the hits from the mid 70s or more "prog" endeavors of the early 70s. Jeff (the control freak he is) could really use the help of other musicians to brighten up the songs and make them more dynamic.    … Full Review »
  3. LAOCritic
    Nov 1, 2019
    8
    Rating a new ELO album after a career as long and fruitful as Lynne’s is always a challenge since the impulse is always to compare it to pastRating a new ELO album after a career as long and fruitful as Lynne’s is always a challenge since the impulse is always to compare it to past glories. So, getting that out of the way: is it as good as OUT OF THE BLUE, A NEW WORLD RECORD or EL DORADO? No. But it is arguably his best album since (the very underrated) SECRET MESSAGES. Sonically it shares more in common with the “solo” ELO albums, ZOOM and ALONE IN THE UNIVERSE. But there’s a relaxed confidence to FROM OUT OF NOWHERE that was missing in those latter two. Perhaps the last two years of playing to adoring fans has reminded him of what he (and we) love best about his music: soaring melodies, catchy guitar hooks and his own golden vocals. There’s a sense that he sat down to record this album with nothing left to prove, and decided to just have a blast, whether on the retro-rocker “One More Time” or, quite literally, the “Time of Our Life.” And while there’s the occasional pang that we don’t hear more from Richard Tandy, as we do on “One More Time,” or those sweeping Louis Clark orchestrations from yesteryear, turns out we don’t really need them to enjoy the gems Lynne has laid out for us here.… Full Review »
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