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EELS Image
Metascore
89

Universal acclaim - based on 9 Critic Reviews What's this?

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  • Summary: The second full-length release from Austin band Being Dead was recorded in Los Angeles over two weeks with producer John Congleton.
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  • Record Label: Bayonet Records
  • Genre(s): Pop/Rock, Alternative/Indie Rock, Indie Rock, Indie Pop, Neo-Psychedelia, Garage Rock Revival
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Score distribution:
  1. Positive: 9 out of 9
  2. Mixed: 0 out of 9
  3. Negative: 0 out of 9
  1. Oct 3, 2024
    90
    Even setting sequencing, production, and stylistic reference points aside, EELS is simply chock-full of great songs.
  2. Nov 4, 2024
    90
    Their inventive spirit and unconventional approach carve out unusual paths that, once traveled, become a delight to revisit.
  3. Nov 4, 2024
    90
    With Congleton at the helm, the track sequencing and production are near perfect. For an album brimming with ideas, EELS only contains one minor misstep, which is a matter of taste. For all its simplicity, the tongue-in-cheek send-up of “Rock n’ Roll Hurts”, could have been a sincere offering but devolves into giggles (yes, we get the over-the-top sentiment). “Goodnight” is the opposite, an album-ender that challenges a traditional lullaby but remains heartfelt.
  4. Oct 3, 2024
    83
    EELS is relentless, hooky, and thematically looser than the band’s full-length debut, 2023’s When Horses Would Run, which reveled in the mythos of the American West. This is music of fine details and huge sentiments.
  5. 80
    The collection is inventive yet grounded and unpretentious, a genuinely modern interpretation on the tenets of punk that still carry weight.
  6. Oct 17, 2024
    80
    Messy, expansive, full of contradictions, sharp turns, and a joie de vivre that wants to experience and express everything at once. They are also endlessly inventive and engaging, their effortless melding of styles held together by glorious harmony and complete assurance.
  7. Nov 12, 2024
    80
    Filled with frisky self-confidence, Falcon Bitch and Shmoofy—note the absurd names—bolt through sixteen terse, inventive tracks as they dryly switch and harmonize vocals.

See all 9 Critic Reviews

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