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MojoNov 22, 2011In louder and busier sections it's easy to lose the text and there's no melody as consolation. [Aug. 2011, p. 94]
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Aug 22, 2011The main flaw with Eno and Holland's collaboration is that words which, read on a page or spoken into silence, might have the space to spark a host of mental images, here frequently seem flattened by the music.
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Aug 19, 2011Even if the project isn't a wholly qualified success, Eno is still putting most of his peers to shame. [Jul 2011, p.84]
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Q MagazineAug 19, 2011Holland's fragmentary syntax, rendered in a variety of heavily treated voices, rarely proves as mesmeric as the music. [Aug 2011, p.116]
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Aug 18, 2011Often it feels more like an overly conscious art project rather than an album that will sustain repeated listening; it's undeniably, admirably beautiful in parts, but ultimately too consciously cerebral and self satisfied to love.
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Aug 18, 2011An album of poetry set to music might not be what the world wants from Brian Eno.
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Aug 18, 2011Glitch's motorik electronics and Seedpods' airy grooves are compelling, but at times it feels as if Eno is stubbornly working against himself.
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Aug 18, 2011It's pleasant enough, but sometimes the words do rather get in the way.
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Aug 22, 2011Somehow, when put together, the artists' individual strengths are watered down, resulting in a mixture of the benign and the over-the-top, depending on the particular song.
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Aug 22, 2011While this album may have taken that last bit a little too literally (or perhaps not literally enough?), it has moments that do just that, blending the perfect amount of dance-ability, intrigue, and emotional power.
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Aug 22, 2011Drums Between the Bells is by no means an embarrassment, but don't look for it to be lumped into the upper echelon of Eno's output either, where triumphs like Discreet Music or Another Green World reside.
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Aug 22, 2011Drums Between the Bells at its simplest is often Drums Between the Bells at its best.
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Aug 18, 2011Drums Between the Bells feels like one big obstacle of an album.
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Aug 18, 2011Sonic strategist Eno is clearly in "oblique" mode here.
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Aug 22, 2011The combination of Eno's obsession with stasis and his attachment to novelty for its own sake does the album in.