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Descended Like Vultures still has its moments of pleasing, ephemeral pop, but those moments, if nothing else, work as nice interludes between the more engaging numbers.
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Though it's generally enjoyable throughout, Descended Like Vultures feels more stunted than it should, as though Rogue were afraid to open up these songs too much.
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The production swamps. Too many waves of superfluities covering weak melodies and spearheading disappointing "new directions," too often sounding like the work of a far less interesting band.
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Alternative PressRogue Wave now resemble a more earnest Flaming Lips. [Dec 2005, p.204]
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Rolling StoneThe cumulative effect feels a little dreary. [1 Dec 2005, p.128]
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MojoIt's sweet and vivid, but also a bit messy. [Dec 2005, p.116]
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The band hasn’t yet proven capable of rendering a thoroughly remarkable album. This is nothing to be ashamed of, though.
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Descended Like Vultures snuggles down between Wolf Parade’s Apologies To The Queen Mary and Modest Mouse’s 2004 release, Good News For People Who Like Bad News as a competent, half-slapped together, half-methodic slice of evolved indie-rock.
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While the Big Chorus and post-hardcore theatricality are hardly disparate stylistic traits, it's odd that Rogue Wave would embrace them after establishing themselves as a nuanced pop outfit.
User score distribution:
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Positive: 21 out of 24
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Mixed: 1 out of 24
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Negative: 2 out of 24
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MichaelB.Aug 15, 2007
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CurtisWJan 25, 2006
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MackBJan 15, 2006