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Confident non-jumpers shouldn't be concerned that this disc weeps with you're-always-dying-inside woe-is-my-love-life misery.
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The lion's share of Cage's fans will see this newly found exposure as Chris Palko taking steps towards getting his story out to a wider audience with this personal and quite exceptional release.
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He’s spent his Definitive Jux career transforming his pain into messy, impressionistic tragedy. The result isn’t just more satisfying, it’s often funnier, too.
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Depart From Me is a cohesive album of dark hip hop from an MC in top form.
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Alternative PressHe abetteed by vibrant backdrops full of guitar-driven samples, which push the disc closer to rock than hip-hop and keep the energy high. [Aug 2009, p.106]
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Production by El-P, Aesop Rock and F. Sean Martin gives this album that trademark Def Jux feel, but the rock-driven direction of a few tracks may be a deal-breaker for fans of Cage’s earlier sound.
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Rabid fans won't mind much; just make sure you're sold on Hell's Winter before taking this bumpier ride through Cage's inner turmoil.
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The best stuff here shows Cage taking what he’s learned and moving out into the world at large to figure it out in all its alienating weirdness. But the rest of the album has him revisiting roads already traveled, holding back from truly stepping out.
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Like the other white rapper he will never escape comparisons to, Cage exhausts the patience of even his faithful followers at times, and Depart From Me almost reads like a plea to whoever might be left checking for him in 2009.
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Rarely will one find a detractor when it comes to Cage’s sheer talent, but--thanks to sterile production and the replacement of hip-hop beats with rap-rock thrashings (“Beat Kids”) and corny, overdramatized hooks (“Captain Bumout”)--Depart From Me demonstrates an immaturity that will render Cage’s career difficult to reconcile.
User score distribution:
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Positive: 11 out of 15
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Mixed: 4 out of 15
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Negative: 0 out of 15
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GreggJJul 11, 2009
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Jan 10, 2012
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Nov 14, 2011