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Craftiness, when it’s this imaginative, can go a long way and for Jookabox, these bizarre ideas seem to work even when they shouldn’t.
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Adamson mixes genres and sounds, blending and pitch-shifting, looping and deconstructing to create his most focused (though it may not sound that way on first listen) effort to date.
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I'm all for musicians not taking themselves too seriously, but with such audacious, irreverent, and yet captivating material populating the bulk of the album, it is a supreme letdown to finish on such strangely muddled notes. Still, Dead Zone Boys is worth some serious attention.
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The first half of Boys has all of the action, and the second side can't help but drag a bit.