Metascore
70

Generally favorable reviews - based on 22 Critic Reviews

Critic score distribution:
  1. Positive: 14 out of 22
  2. Negative: 0 out of 22
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  1. Feb 15, 2011
    90
    He may just have produced his best album.
  2. Feb 15, 2011
    90
    Mike Skinner seems to have produced a funny, sad, emotional, honest album to rank up there with his very finest work, making us fall in love with him all over again, just as he leaves us.
  3. Feb 15, 2011
    90
    For sheer instant appeal, the winner has to be Cyberspace and Reds, which is clearly one of the most bizarre, absurd, and exhilarating records dropped in 2011, while Computers and Blues requires a great deal of thought and introspection before it can be truly valued.
  4. Dec 19, 2011
    80
    Based on the theme of technology and the power it holds over modern life, its 14 tracks showcase Skinner's trademark hip-hop witticisms.
  5. Q Magazine
    Mar 1, 2011
    80
    His fifth and final Streets album turns into his best since "A Grand Don't Come For Free." [Feb 2011, p.123]
  6. 80
    It's ultimately hard not to like an album that features not one but two epiphanies, one experienced lying on the "Roof of Your Car" staring at the stars, while in album closer "Lock the Locks" a dream prompts Skinner's sudden change of career--an event engagingly depicted as an office farewell party.
  7. Feb 15, 2011
    80
    Thematically tight, thought-provoking and packed with tunes, it is, once again, far in advance of most pop in 2011. What a way to go.
  8. 80
    From its cover in, there's a knowing, bustling swagger to The Streets' finale, if only in its relishing of a quick dart for the exit.
  9. Feb 23, 2011
    70
    Even though it's not quite his best album, Computers and Blues catches the Streets at the best he's been in years.
  10. Feb 15, 2011
    70
    Computers & Blues doesn't match up to The Streets' visionary early promise, and there are a few songs which sound sketchy and half-hearted. But when it works, it's a reminder of what a tender, articulate and original voice Skinner has been in British pop, and how sorely he will be missed.
  11. Feb 15, 2011
    70
    Still confused but back on form, The Streets' final album (Skinner wants to make a film) sees a return to garage beats and square-eyed observations from a life staring at pixels on screens.
  12. Feb 15, 2011
    70
    It's not unreasonable to assume he's generally hit the mark with Computers and Blues, a heavy collection of songs with the inimitable Skinner sense of style and substance.
  13. Feb 15, 2011
    67
    Fortunately, Computers is more farewell party than funeral, and Skinner keeps things appropriately lively.
  14. Feb 23, 2011
    65
    This may be a confused record, but it finds its place through a universal truth it manages to hit: so Skinner can't quite find his way in this world: who among us can?
User Score
7.7

Generally favorable reviews- based on 11 Ratings

User score distribution:
  1. Positive: 8 out of 11
  2. Negative: 0 out of 11
  1. Jan 26, 2012
    6
    Thought the album had a strange sound to it which is strangely appealing but this nothing on The Streets previous albums, a littleThought the album had a strange sound to it which is strangely appealing but this nothing on The Streets previous albums, a little disappointed. The album seems to be full of fillers for me with only one outstanding track which is Going Through Hell. Full Review »
  2. Mar 22, 2011
    8
    A return to form! Skinner sounds like he's having fun again, and even if the album lacks A Grand Don't Come for Free's absorbing cinematicA return to form! Skinner sounds like he's having fun again, and even if the album lacks A Grand Don't Come for Free's absorbing cinematic scope, it is a solid Streets album, funny and poignant in equal measure. Shame he's calling it quits. Full Review »
  3. Mar 11, 2011
    4
    What a lacklustre retirement. If Skinner is as bored of the Streets name and intonation, then why bother with a final album? It's the sound ofWhat a lacklustre retirement. If Skinner is as bored of the Streets name and intonation, then why bother with a final album? It's the sound of a former rabble-rouser deserted by his old posse, left alone in his concrete chasm, riffing his own poetry over MySpace friends music output. Full Review »