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Q MagazineMay 13, 2013The sound may gain more traction in a post-Mark Ronson world than his previous electro-based efforts. If only Tillmann didn't have to excise the fun to achieve it. [Jun 2013, p.98]
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UncutApr 25, 2013He successfully channels Sam Cooke, especially on "We Don't Sleep" but the album's length and lo-fi production makes Bye Bye 17 appear disconcertingly slight. [Jun 2013, p.74]
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Apr 30, 2013Tillmann seems to have finally found a sound that more aptly showcases his generous abilities. However, lyrically he’s erratic, veering from the incisive to the hackneyed often in under two minutes, still suffering from the need to undercut anything meaningful with the same frustratingly ironic sheen that has marred his career to date.