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Dec 23, 2020Throughout all of this, Nace’s innate instincts as an improviser couple effectively with Crain’s production mastery resulting in a release that stands apart, while fitting in perfectly with the guitarist’s broad body of work.
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The WireDec 23, 2020Both tends such fertile, fetid soil that it almost works as an argument against its creator bothering to break bread with anyone else. That is, until you remember that there’s no good reason that he or we should have to choose one course or the other. [May 2020, p.61]
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UncutDec 23, 2020These blown-out and clanking loops, atmospheric drones and jump-cut textures are more like the product of electronic collage than free-guitar improv, and all the more fascinating for it. [Jun 2020, p.34]
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Dec 23, 2020Both might be more about its listener than its creator. If by the end we still don’t know exactly who Bill Nace is, we certainly have a better idea of how much he can do.