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Beauty Land Image
Metascore
82

Universal acclaim - based on 9 Critic Reviews What's this?

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  • Summary: The first full-length release from Philadelphia singer-songwriter Greg Mendez on the Dead Oceans label was self-produced.
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Score distribution:
  1. Positive: 9 out of 9
  2. Mixed: 0 out of 9
  3. Negative: 0 out of 9
  1. May 29, 2026
    91
    This album isn’t merely an acolyte of Either / Or, Pink Moon, or Carrie & Lowell. With enough time, we may start regarding it as a peer.
  2. Jun 2, 2026
    85
    Although Beauty Land slowly and patiently unveils its charms, it doesn’t take long to realise just what a phenomenal achievement it is. It may have taken him twenty years, but Mendez has joined the elite tier of singer-songwriters.
  3. May 28, 2026
    80
    Mendez's gentle vignettes have carried an outsized emotional heft, but his wistful melodies are just as likely to bring listeners back.
  4. May 28, 2026
    80
    Another winner from Mendez, with plenty of what seem simple paths that run much deeper.
  5. Mojo
    May 28, 2026
    80
    Just 31 minutes short, but 17 songs long, Mendez's new album sets him up as a true inheritor of Eliott Smith's broken resilience, tragic and sad, but determined to conquer whatever demons cross his path. [Jul 2026, p.84]
  6. May 28, 2026
    80
    Beauty Land sounds just a bit sharper than Mendez’s usual. The toy piano plinks on “I Wanna Feel Pretty” and “No Evil” ring out with a steeliness that gives Beauty Land a starker profile than his previous records, as if there were late afternoon shadows framing every rough-handed strum and blot of keyboards. The difference is subtle, but it’s unmistakable.
  7. 70
    Whilst songs like “Everybody Wants to Be Your Friend (Except Me)” certainly venture close to Smith’s terrain, the moments when the songs are allowed more wiggle room to bloom and expand prove that Mendez has a musical identity of his own.

See all 9 Critic Reviews