User Score
Generally favorable reviews- based on 256 Ratings
User score distribution:
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Positive: 192 out of 256
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Mixed: 32 out of 256
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Negative: 32 out of 256
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Oct 19, 2017Esse álbum pareceu que ela nem estava com vontade de gravar, todo mal acabado e sem conteúdo forte e preciso. Ela possui trabalhos mais envolventes que esse atual.
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Oct 22, 2017This album is a great disappointment! More ballads and a weak duet with Eminem as if it was sung by P!nk 10 years ago. Still the same rhythms and nothing innovative or challenging. The only exceptions are a good single song - What about us, and also Secrets. Unfortunately, it lacks power and smash hits here. Maybe next time in a following future album...who knows :/
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Oct 18, 2017Esse álbum pareceu que ela nem estava com vontade de gravar, todo mal acabado
deu impressão que foi gravado às pressas
usando o visual do clipe de WAU pro shoot da capa -
Oct 23, 2017
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Oct 28, 2017Mesmice, maior decepção do ano, como que ela me lança um album sem evolução nenhuma desses. Merecia figurar entre os piores do ano so pela preguiça de evoluir.
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Oct 17, 2017Boring, boring, boring. Just a compilation of boring ballads and 2-3 uptempo. No concept, no heart, P!nk had to do an album so she put together 13 random songs, some of which can also be considered good tracks, but the final work is really really delusional.
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Oct 16, 2017A terrible album. Same concept as all her other generic albums. She tried to recreate the lyrical masterpiece that is Lemonade, but ended up coming up short.
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Jan 5, 2018The Truth About Love entire album still gives me chills, this doesn't. It''s a big dissapointment for me after waiting for 5 years.
Awards & Rankings
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Q MagazineOct 24, 2017An album with dirgeful ballads, though they do at least let her show off her excellent voice. [Dec 2017, p.109]
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Oct 23, 2017With Beautiful Trauma then, Moore proves that she’s both still relevant, and a vital, confident female voice on the pop circuit who has impressively never really succumbed to the pressures of the overly-sexualised pop machine.
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Oct 19, 2017Secure behind the protective pop wall erected by producers such as Max Martin and the ubiquitous Greg Kurstin, there’s little room for originality here. Which may be for the best, given the mid-album limpness imposed by the gratingly wistful, cello-draped childhood yearning of “Barbies”, which oozes insincerity. Pink’s on safer ground riding the pumping pop-funk of “Secrets” and the title-track.