- Critic score
- Publication
- By date
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Entertainment WeeklyOffers up the same taut honky-tonk, high-lonesome balladry and electric-rock snarls as Failer. But the production is more direct, and her songs are more rueful. [4 Mar 2005, p.71]
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An album’s worth of excellent songs performed with gusto.
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Edwards has a suggestively melancholy voice, a gift for well-turned phrases, and an uncanny knack for making uptempo tracks like "In State" sound as intimate and raw as her ballads.
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Uncut[An] eloquent set of songs about absence and change. [Apr 2005, p.108]
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A gorgeous collection that is equal parts country and rock, joy and (more often than not) pain.
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Q MagazineImpressively reconfirms why she's alt-country's brightest rising star. [May 2005, p.111]
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Back to Me is a powerful and affecting album from an artist who is quickly establishing herself as a major talent.
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Back to Me is a bolder album [than Failer], with Edwards figuring more prominently and actively in the more personal songs.
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It's not that Back to Me is an unsatisfying listen; quite to the contrary, there are some smashingly rewarding moments on this release. It's just that if you have heard Failer, you're basically heard Back to Me already.
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Back to Me is a solid successor to Failer, though at some point Edwards is going to have to toss aside the sour-relationship crutch if she truly wants to distinguish herself from the rest of the country-rock crowd.
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MojoFor all the band's rich resonance, she shines brightest when [producer Colin] Cripps holds the kilowatts. [May 2005, p.98]
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Los Angeles TimesToo many of the songs feel more obvious and slight than bold and revealing -- as if Edwards' true muse is really Sheryl Crow. [6 Mar 2005]
User score distribution:
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Positive: 8 out of 8
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Mixed: 0 out of 8
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Negative: 0 out of 8
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BrianJan 20, 2007I very much enjoyed the music on this album - "Back to Me" gets me going!
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SamDMar 20, 2006
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ChadSFeb 3, 2006