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Nov 15, 2010Amoral or not, this album serves as a reminder that the superficial can still sound pretty super.
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Nov 29, 2010For something drawn from so many obvious sources, Amoral is refreshingly original.
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Jan 10, 2011There are some great moments in New Wave revisionism. But, in the end, it isn't all that memorable, just something fun to toss on every once in a while.
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Nov 5, 2010Violens have achieved their sound and successfully executed their technique, but are still wanting for purpose.
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Jan 18, 2011Factor in fearlessly slick production and attitude and Violens have managed to create the ultimate gorge-fest. Loosen your belt and dig in.
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MojoNov 9, 2010The New Yorkers' debut is retro but refreshing. [Dec. 2010, p. 106]
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Nov 16, 2010While Violens draw from strong influences, they capture their potency only fleetingly. Amoral is a worthwhile listen, with stand out tracks that hold much promise. As yet, though, there's too much that leaves you, like that promise, unfulfilled.
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Nov 5, 2010While Violens may know their sonic touchstones inside and out, they're better sticking to the haircut-obsessed sounds showcased on Amoral's standouts.
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Jan 6, 2011Some bands, indeed many of those mentioned in this review, can combine the two [writing pop songs or experimental soundscapes] with panache, but until Violens learn to do one or the other with confidence, the results will always be as scatterbrained and self-indulgent as Amoral.
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Nov 5, 2010Amoral proves that Violens will stand proud knowing they can give a name to their organized mess, even if they don't know what it is yet.
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Nov 5, 2010Ultimately, it's the stuff of a common nightmare--creepily thrilling, but not worth reliving.
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UncutNov 17, 2010Sinister lyrics flit by almost unnoticed across the music's glistening sheen as Elbrecht hides in plain sight--an impressive conjuring trick that may nevertheless leave you a little cold. [Dec 2010, p.110]
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Nov 30, 2010This is the first proper full-length from the band, after a few other offerings -an EP, a few odd singles, a march-happy runway score -and three songs in is about where the realization sets in that Violens have finally offered up that worthy successor to that previous work with that other band (you know, the one they're tired of seeing mentioned in reviews).