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Q MagazineJun 13, 2014Yann Tiersen's latest is as distant from that film's {Amelie's] accordion-powered melodies as his native Brittany is from Paris. [Jul 2014, p.117]
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May 20, 2014Surely satisfying to an unknown (but tiny) demographic, this record is instantly likeable, but it’s also just as immediately forgettable.
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May 19, 2014Tiersen never loses touch with his innate sense of melody, but the lack of edge means that Infinity's charms are, in fact, finite.
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May 16, 2014For existing fans this is a tonally varied addition to his substantial oeuvre, but the record will likely prove too oblique, even passé, for more virgin ears.
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May 27, 2014It's simply too mired in experimentation to make for an enjoyable or enlightening experience.