| Music Box Films | Release Date: November 21, 2025 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
17
Mixed:
3
Negative:
1
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Critic Reviews
There’s another level to it as well: Even while laying bare the mechanics he would use to tell a story likely to trip viewers’ bullshit meters and calling out one genre cliche after another, Zodiac Killer Project almost works as a compelling true crime doc anyway, up to the way it repackages a crushing anticlimax as a thrilling conclusion.
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When experimenting with his own techniques—Shackleton gets ingenious mileage out of slow zooms and pans in those location shots—Zodiac Killer Project works as a provocative, meta consideration of the genre’s form. When dumping on other films and the genre in general, the movie comes across as a bit hypocritical and smug.
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RogerEbert.comNov 21, 2025
The film Shackleton wanted to make clearly wasn’t a passion project coming from his deepest soul. It’s not like he’s Orson Welles yearning for the unfairly butchered “Magnificent Ambersons.” “Zodiac Killer Project” is fairly thin in both conception and execution, but it is very much “my kind of thing,” particularly his dry, humorous tone. He makes a good and entertaining guide.
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IndieWireJan 29, 2025
Like “This Is Not a Film” before it, Zodiac Killer Project sees its director leveraging their misfortune into an impish and hyper-resourceful attack on the oppressive strictures of modern storytelling (in this case the rigid conventions of the true-crime genre rather than the mandates of a censorious regime), one that allows Shackleton to achieve a measure of freedom through the act of detailing his own cage.
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What remains is an interesting, if too often overly protracted, portrait of creative frustration, artistic ego and the ethics of storytelling in an overly saturated landscape. It’s Shackleton’s most personal film to date, even though it’s about something that doesn’t exist. Or maybe that’s why it feels personal – here he is finally interrogating not just formal convention, but his own desire to fit into it.
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In a year that’s seen a valuable rethink of how we process crime stories — from the eye-opening documentaries “Predators” and “The Perfect Neighbor” to Caroline Fraser’s deeply researched book “Murderland” — Shackleton’s perspective is still an intriguing, worthy provocation regarding our cultural bloodlust.
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For those who haven’t really thought about the filmmaking behind the glut of true-crime clogging up the streamer carousels, there are some revelatory moments of media criticism in here. But for those more aware of how the sausage is made, it’s simply a light and dry bit of jabbing at a dominant kind of media.
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For Zodiac Killer Project to work, it would have to be coming from a filmmaker who is fully ready to admit their own culpability in continuing to fuel the worst aspects of the genre they intended to exploit. That kind of brutal self-admission would have taken a great deal of courage, but Shackleton can’t quite get there, even if he comes close at times.
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ColliderJan 28, 2025
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