Without a Trace

This is a movie that didn't have to be well made --its emotional impact has been assured by the daily news. But Jaffe took care. He made a solid Hollywood movie of a story that is terribly sad. He plays the heartstrings like a virtuoso, and that's not always a bad thing. [07 Feb 1983, p.C6]

As producer of Goodbye Columbus and Kramer vs. Kramer, Stanley Jaffe has proved his understanding of human relationships. As a first-time director, he seems overly attentive to everyday detail. But he handles his actors with skill, evoking a beautifully sustained performance from Kate Nelligan as the mother who would not abandon hope. [07 Feb 1983]

What makes Without a Trace important is the powerful, intelligent, seismic-sensitive performance of Kate Nelligan as Alex's mother. Nelligan literally creates the film's real theme -- the nightmare emotional world the victims of such crimes are plunged into. [07 Feb 1983, p.69]

Taken on its own terms, Without a Trace is a reasonably well made film, and it's certainly slick enough to hold an audience's attention. But its own terms are very, very limited. Read full review

If Jaffe's previous production credits aren't sufficient warning that this is one for Sensitive Drama suckers, the opening shot's a giveaway. Read full review

The story is told with uncharacteristic restraint and benefits from fine performances by Nelligan and Hirsch. Read full review

Without a Trace provides little sustenance. It keeps serving up overprepared tidbits of torment when you'd prefer to get down to a main course. [04 Feb 1983, p.C4]

A schematic, often contrived look at an important subject. [17 Feb 1983, p.19]