| Paramount Pictures | Release Date: January 5, 1929 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
17
Mixed:
1
Negative:
0
|
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Critic Reviews
Sure, this is mostly propaganda, a self-described memorial to the men who sacrificed their lives in World War I, but at the same time it’s honest enough to include a scene—60 years before Born on the Fourth of July—in which a returning soldier makes a tearful confession to the family of a lost pilot.
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Don't let its age fool you -- Wings is no rickety antique. Wellman' s aerial battle scenes remain impressive, even in the digital age. Bow is charming and terribly funny, especially when trying to rescue Rogers from a Parisian brothel. The boys are quite good, too, but their efforts pale next to a brief cameo by Gary Cooper, who positively smolders as the existential rookie who makes his own luck.
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A spectacular tribute to the American flyers of World War I, born of Wellman's and John Monk Saunders' own experiences with the Lafayette Flying Corps, it's distinguished by matchless aerial photography, logistically-detailed battle scenes and dogfights, a unique blend of 'European' directorial touches with Hollywood pace, and solid performances holding the straightforward love/duty/camaraderie plotline together.
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When the action [from a story by John Monk Saunders] settles on terra firma there is nothing present that other war supers haven’t had, some to a greater degree. But nothing has possessed the graphic descriptive powers of aerial flying and combat that have been poured into this effort.
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