Winchester '73

With such a strong cast, the film almost turns into an ensemble film instead of a star vehicle for Stewart in his first of many collaborations with Mann. An Archetypal Western with the required cowboys, gunfights and damsels in distress, it has become an all time favourite. Read full review

The first of Mann's great Jimmy Stewart cycle -- and one of his best. [30 Apr 2010, p.C3]

James Stewart is superb as a stubborn frontiersman turned bounty hunter called Lin McAdam, who wins a one-in-a-thousand Winchester repeater rifle in a Dodge City marksmanship contest. Read full review

The collaboration started with a bang with 1950's "Winchester '73", which makes most lists, including mine, of the best of the genre. [09 May 2003, p.11E]

The genre's other great star-director team James Stewart and Anthony Mann began a string of five remarkable Westerns with this engrossing, genre-reviving chronicle of a stolen rifle and its fateful role in the lives of its possessors. [26 Oct 2003]

Winchester '73 has a little bit of everything, including a central conflict straight out of the Old Testament, and Mann's highly visual direction -- dialogue is sparse, and the movie looks gorgeous, filmed largely on location in Arizona -- shows that John Ford and Howard Hawks weren't the only directors able to translate their love of the Old West and its mythical figures to film. [05 Jun 2003]

Strikingly photographed in black & white, the film is directed with an eye to realistic detail, an ear for the script's frequently natural dialogue and a knack for building suspense. Read full review

Played out against breathtaking landscapes that reflect the emotional turmoil of the main characters, Mann's film gives us one of Stewart's greatest performances, his manic intensity evoking both terror and pathos. Read full review

Stewart brings real flavor and appeal to the role of Lin, in a lean, concentrated portrayal. Read full review

Of the six "adult Westerns" James Stewart and director Anthony Mann made together in the '50s, this 1950 film was the first and one of the best. [24 Jun 1986]

Dan Duryea (manic outlaw) and Shelley Winters (pioneer wife) are excellent, as is the photography by William Daniels. [22 Jul 2012, p.43]

The final shoot-out remains a classic study in mise-en-scene, as Mann transforms a jagged landscape into a highly charged psychological battleground. Read full review

This tight, tense black-and-white Anthony Mann film revived Westerns and kept Jimmy Stewart's career alive during the actor's Korean War stint. [19 Apr 1991, p.46]

It is far from the mature outdoor drama that might be brilliantly filmed around a gun. It's just a frisky, fast-moving, funny Western in which a rifle is the apple of a cowboy's eye. Read full review

Mann's first film with James Stewart, with whom he was to make a series of classic Westerns, this offers the clearest example of Mann's use of the revenge plot. Read full review