Twentieth Century Fox Film Corporation | Release Date: November 16, 2018
6.9
USER SCORE
Generally favorable reviews based on 278 Ratings
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182
Mixed:
68
Negative:
28
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7
The3AcademySinsAug 30, 2019
Widows is a really fun and gritty heist movie. The ensemble cast spearheaded by Viola Davis is incredible to watch. The camerawork is innovative, and the direction does a fantastic job of capturing the seedy underbelly of Chicago. GillianWidows is a really fun and gritty heist movie. The ensemble cast spearheaded by Viola Davis is incredible to watch. The camerawork is innovative, and the direction does a fantastic job of capturing the seedy underbelly of Chicago. Gillian Flynn's script is a good follow up to Gone Girl, and does enough differently to experiment and really tell a good story. Not all of the experiments work, and there are some out of place political jabs that slow the movie down. However, this is an engaging story about a group of women who aren't going to lie back and take what life is giving them. Definitely a recommend from me! Expand
1 of 1 users found this helpful10
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7
finnmccool1985Dec 13, 2018
Funny to watch the corporate media, whether in shows/movies like this or otherwise, lecture you ethically after Tablet Magazines recent Bombshell article on Racism/radical Islamism financing the women's movement. Mcqueen was a better directorFunny to watch the corporate media, whether in shows/movies like this or otherwise, lecture you ethically after Tablet Magazines recent Bombshell article on Racism/radical Islamism financing the women's movement. Mcqueen was a better director in his early day)s (Hunger, before he started exaggerating for Hollywood PR sake, which is pathetic for an artist of his caliber. Expand
1 of 1 users found this helpful10
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7
bataguilaDec 3, 2018
Entretenida, la vuelta de tuerca a 3/4 de peli esta interesante, las mujeres trabajan bien, aborda varias problematicas. El problema cae en un bache a media peli, las motivaciones de los villanos no quedan bien explicadas. Me gusta comoEntretenida, la vuelta de tuerca a 3/4 de peli esta interesante, las mujeres trabajan bien, aborda varias problematicas. El problema cae en un bache a media peli, las motivaciones de los villanos no quedan bien explicadas. Me gusta como trabaja Kaluya Expand
1 of 1 users found this helpful10
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9
Vitor007Dec 7, 2018
"Widows"can surprise and leave us satisfied quickly. With a pretty unique story, Viola Davis fits perfectly into the role, but not only her, all cast members, making her experience amazing. In spite of not having a focus message (whose makes"Widows"can surprise and leave us satisfied quickly. With a pretty unique story, Viola Davis fits perfectly into the role, but not only her, all cast members, making her experience amazing. In spite of not having a focus message (whose makes a confusing type of film), it concludes very well without leaving loose ends. He deserves full recognition in the awards season. 9.3/10 Expand
3 of 4 users found this helpful31
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10
jasharkowalskiDec 1, 2018
This is the film Spike Lee would kill to direct! Never saw the TV show but the movie is kicking ass, a true female power blended with black-lives-matter and dirty politics in Chicago. Girls in the movie don't act, they simply lived theThis is the film Spike Lee would kill to direct! Never saw the TV show but the movie is kicking ass, a true female power blended with black-lives-matter and dirty politics in Chicago. Girls in the movie don't act, they simply lived the characters ! I will praise the photography in the movie, those close-ups with Viola Davis are pure classic! Now run to the theater near you and enjoy one of the best movies (if not the best) of the passing year. Expand
3 of 5 users found this helpful32
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9
LamontRaymondNov 16, 2018
I had been looking forward to this one for months. It's a VERY good movie, just not something revelatory like I hoped it might be. Every actress in the film is right on the money (and special shout-out to Jackie Weaver for an incredible jobI had been looking forward to this one for months. It's a VERY good movie, just not something revelatory like I hoped it might be. Every actress in the film is right on the money (and special shout-out to Jackie Weaver for an incredible job in a very small part). Where it falls just slightly short is in the pacing - about half way through, I thought this was going to be a set-up for a 10-hour TV season. But as a film, it needed to kick in to gear more quickly. It establishes for about 60% and then truly gets moving in the last 20%. But I would certainly recommend this to anyone. It absolutely deserves its Must-See status. Expand
3 of 6 users found this helpful33
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8
Rebecca31Nov 17, 2018
Set in Chicago, four women are left with the debt left behind by their dead husband’s crimes. Rather than sit back and take it Veronica (Viola Davis), Alice (Elizabeth Debicki), Linda (Michelle Rodriguez) and Belle (Cynthia Erivo) takeSet in Chicago, four women are left with the debt left behind by their dead husband’s crimes. Rather than sit back and take it Veronica (Viola Davis), Alice (Elizabeth Debicki), Linda (Michelle Rodriguez) and Belle (Cynthia Erivo) take matters into their own hands.

Story by Gillian Flynn and directed by Steve McQueen. A thriller with brilliant performances that will have you on the edge of your seat. An original and slightly different take on a heist film. And lets face it the heist genre has been done again and again so it’s refreshing to see one that isn’t just a rehash of Oceans 11. The chemistry between the women is what made this for me, along with the character development. Throw in a slimy politician in the form of Colin Farrell and the generic movie psychopath in the form of Daniel Kaluuya and you’ve got yourself a must see crime thriller. It reels you in with it’s sharp script and realistic characters you don’t sit there questioning the logistics of the plan or the heist you’re fully invested. My only criticism is Liam Neeson, he’s completely miscast and clearly just put in the film to get more people to see it. You’re not going to see this for Liam Neeson, everyone else fit into their parts yet he just stood out the whole time for me. Don’t let that put you off, Widows is worth your time. Dark, gritty and highly recommended.
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2 of 4 users found this helpful22
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10
phatandyNov 23, 2018
Finally a movie with two strong black female leads. Viola Davis and Cynthia Erivo are amazing.
5 of 13 users found this helpful58
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9
MattBrady99Nov 16, 2018
LIFF32 (2018) #2

“May a man live well-enough and long-enough, to leave many joyful widows behind him.” Remember Ocean's 8? Nah, neither do I. ‘Widows’ is an outstanding crime drama from director Steve McQueen. A female driven movie that
LIFF32 (2018) #2

“May a man live well-enough and long-enough, to leave many joyful widows behind him.”

Remember Ocean's 8? Nah, neither do I.

‘Widows’ is an outstanding crime drama from director Steve McQueen. A female driven movie that doesn't glorify itself as such. It's smart and compelling - emotional roller coaster through out. The themes of corruption, politicians, sexism, race relations, privileges, and greed that mirrors society we know. I was hooked from start till finish.

Steve McQueen took something that could’ve been a generic mainstream heist movie, but made it so refreshing. Just like ‘First Man’, it’s a complete departure from his other work, but isn’t too different where you can’t believe he directed it. Plenty of long shots, especially how he directed a freestyle rap with the camera spinning around a group of characters. I thought that scene was brilliantly done. There’s a scene where Colin Farrell drives to his house after a election promotion, but McQueen mounts the camera on the hood of the car and we only hear Farrell’s conversation while nothing is visible - which is all done in one shot. Rather than cutting back or forward, but McQueen isn’t flat. His directing is bold and makes every shot engaging.

How about the cast? It’s something to die for. Everyone manages to get their time to shine. Viola Davis is excellent as usual and the main center of a crowded cast. I love the little details with her character: Like how she always carries around a white fluffy dog almost like a child. She can express grief and the weight on her shoulders and play it effortlessly. Honestly, she’s one of the greatest actress of this generation.

Elizabeth Debicki, Michelle Rodriguez, and Cynthia Erivo command the screen whenever they are on. Just like Davis, these wife’s have nothing in common, which serves as development in character with different backgrounds. Great to see Rodriguez finally showing dramatic range.

But Daniel Kaluuya scared the sh*t out of me. The intensity in his presence and brutal killings makes him a true threat. Every Time he appears on screen, you know something horrible is going to happen. Colin Farrell and Robert Duvall are so great together, which surprised me to learn that both of they scenes, according to McQueen was completely improvised. Even Liam Neeson, despite the small screen time, but he’s really good and I wish he did more dramatic work than any other ‘Taken’ movie.

The other cast members are also great, but we’ll be here for days when naming them off. I could go on forever.

Han Zimmer’s score is nothing short of haunting. Gloomy with a heavy theme of loneliness. However, it picks up pace when the heist shifts in gear and everything from there is tension after tension. The beats gets higher and eventually becomes untamed.

For issues: There’s not a lot for complains. Although if I have to pick. Since there’s so much going on, it can sometimes interrupt the flow. Other than that, that’s really it.

Overall rating: I really struggled to catch a breath.
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3 of 8 users found this helpful35
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8
moviemitch96Nov 16, 2018
This was a solid film that had a little bit of everything to offer! A daring heist, criminals and gangsters, corrupt politicians, but most of all: four bold women willing to risk everything, all in the name of justice for themselves and theirThis was a solid film that had a little bit of everything to offer! A daring heist, criminals and gangsters, corrupt politicians, but most of all: four bold women willing to risk everything, all in the name of justice for themselves and their late husbands who were killed in a heist gone wrong. The film boasts and A-list all-star cast, and every one of them give such great performances that I can't really single anybody out for praise. However, I will say that it was really nice to see the four main women this film centered on given a great opportunity to shine in such a bold and gritty narrative that's almost always reserved for men. Themes of empowerment towards them definitely run heavy throughout the film, but the material and story they're given to work with definitely lives up to its potential and blends very well with said themes. The biggest issue with ensemble films however is that sometimes when there's so many characters and story arcs, it's hard to give equal balance to all of them and they aren't quite fully resolved or given the full closure that they deserve. Such is the case with the final act of this film, which felt a little rushed in many regards, but the rest of the film was definitely compelling with a solid story to tell and a very talented cast to help tell it! Expand
2 of 6 users found this helpful24
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9
TVJerryNov 21, 2018
Viola Davis heads this cast of women who must pick up the pieces after their husbands are killed in a robbery gone wrong. Although it screams out of the gate with a furious car chase, the film settles into a robust character drama (with someViola Davis heads this cast of women who must pick up the pieces after their husbands are killed in a robbery gone wrong. Although it screams out of the gate with a furious car chase, the film settles into a robust character drama (with some social commentary for extra punch). The group of women has to deal with their own lives, while trying to manage an elaborate heist. Still, this film is more about the people than the crime. All of the exceptional actors create interesting characters. Director Steve McQueen has included a few technically flashy shots and some surprising twists, but he's imbued every frame with a quiet intensity that keeps it compelling. Although one might be tempted to compare it to "Oceans 8," this is much less glossy and much more thoughtful. Expand
1 of 3 users found this helpful12
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7
slewis4449Nov 20, 2018
Overall, this was an enjoyable movie. Recently, I've seen some boring movies disguised as "thoughtful", but this is definitely the opposite. Even in the more "thought-provoking" parts of the movie, where the end is being set up, I found thatOverall, this was an enjoyable movie. Recently, I've seen some boring movies disguised as "thoughtful", but this is definitely the opposite. Even in the more "thought-provoking" parts of the movie, where the end is being set up, I found that the characters and direction kept me entertained. There are some scenes that only contribute to a sub-plot of the movie, and they are occasionally better than the main plot. This one scene in the car was particularly interesting. I think the main things that grounds this movie are the performances and characters. The plot isn't particularly engaging or action-packed, and the pacing could use some work, but the performances kept me engaged and entertained and I think that kept me feeling it was worth the watch. Expand
1 of 3 users found this helpful12
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10
AlrisaNov 16, 2018
This review contains spoilers, click expand to view. Greatest film of the year. not only that. but it is also one of the Greatest film of all time ever made. All cast as Awesome especially Viola Davis and Daniel Kaluuya are extraordinary. Another Masterpiece from Steve Mcqueen after 12 years of slave. You always Make a Great film Mr. Steve Expand
2 of 7 users found this helpful25
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10
zlatanmazuidiNov 18, 2018
another triggered right-winger group which wants to destroy critics as it already was in get out and black panther- this movie is an instant classic - not like oceans' 8 which can be thrown in the "poubelle"
2 of 8 users found this helpful26
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8
BrianMcCriticNov 17, 2018
Widows is a fabulous heist movie with terrific performances. Steve McQueen directs this film with great detail and while there were a couple of moments that had me puzzled but overall there is a lot to appreciate here. Overall a middle 8 an A-.
1 of 4 users found this helpful13
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9
hoobokenkenDec 3, 2018
Original, fast, furious exciting and very well acted. You will be out of breath by the end.
1 of 5 users found this helpful14
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7
jeremypNov 30, 2018
I have to think that the critics went for this one because it's by a famed Black Director. It's basically a not very good heist movie that's overly violent, full of plot holes, and some ludicrous suspend belief plotting. It lacks depth, andI have to think that the critics went for this one because it's by a famed Black Director. It's basically a not very good heist movie that's overly violent, full of plot holes, and some ludicrous suspend belief plotting. It lacks depth, and the action allows one to forget that, and the actual heist takes up less than a couple of minutes. Other than Viola Davis and Debicki the ladies get scant screen time, and they waste the great Carrie Coon, and there is not enough of Erivo, who steals the movie. Expand
0 of 1 users found this helpful01
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7
Compi24Nov 17, 2018
Acclaimed auteur Steve McQueen follows up his Best-Picture-winning masterpiece "12 Years A Slave" with "Widows," one of the year's stronger, yet still frustratingly lacking cinematic experiences. You get so much to chew on as a filmgoer. It'sAcclaimed auteur Steve McQueen follows up his Best-Picture-winning masterpiece "12 Years A Slave" with "Widows," one of the year's stronger, yet still frustratingly lacking cinematic experiences. You get so much to chew on as a filmgoer. It's shot and performed adeptly, and features one of the best final acts I've seen in a film so far this year. But if I'm being honest, there were some character dynamics I just didn't care for, and one scene in particular that's just so poorly conceived that I had to drop the film down another half-point. It's not a bad film by any stretch, and I appreciated a lot of the attention to detail (eapcially with the setting) but I just couldn't help but feel a tad disappointed with the final product. Expand
0 of 1 users found this helpful01
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9
alejandro970Dec 9, 2018
Supported by strong cast, is a blow of fresh air for heist movies when you think you seen everything. Based upon a book, the story thief-stels thief has enough for catch your attention without the resources of other movies.
0 of 1 users found this helpful01
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8
thedaywalkerNov 18, 2018
This review contains spoilers, click expand to view. Widows did not disappoint, and instead was even better than I expected.

Widows starts already banging, letting you know it's serious from the first minute. Viola Davis, Michelle Rodriguez and Elizabeth Debicki are amazing as the leading roles, it's probably the best I've seen Michelle Rodriguez act... ever.

But this doesn't feel like the typical heist movie, it does a lot of character work. The editing is great, in no instance this movie feels dragged out, the scene where the heist is taking place, they put some masks on, and you can hear their heavy breathing, you can feel how nervous they are.

There's a scene where Collin Farell gets in a car, but instead of filming the inside of the car, the camera is on the hood of the car, and you just listen to Collin Farell argue with his assistant, I thought it was great, Steve McQueen does a great work directing this

Daniel Kaluuya is terrifying in this movie. Every time he's on screen, you sense something is going down, the way he taunts the people he's going to kill or hurt, is terrifying... just brilliant.

The politics in this movie, at times, felt distracting of the real deal going on, but it was quite necessary. Some scenes felt awkward and like they could have been cut out, like Michelle Rodriguez's character simply kissing another man, who's wife just died, I mean, i got the sentiment, but thought it was unnecessary to the movie.

Overall a great watch, Steve McQueen after a 5 year break after 12 years a slave, gives us another great movie
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8
manningn15Feb 23, 2019
This review contains spoilers, click expand to view. Viola Davis's performance was stupendous, one of her best roles. Elizabeth Debicki, Michelle Rodriguez, Daniel Kaluuya, Cynthia Erivo, Colin Farrell, and Robert Duvall also gave amazing performances. The writing, screenplay, and story were terrific, I loved the twist in the movie I never saw it coming. Even though it was slow at times it was still a great movie. Expand
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8
GreatMartinNov 27, 2018
I became a fan of Viola Davis's in 2008 when she stole her scenes from Meryl Streep in "Doubt" and I am fascinated by what she can do with her face in the "How To Get Away With Murder" television series and I never miss an episode. Though II became a fan of Viola Davis's in 2008 when she stole her scenes from Meryl Streep in "Doubt" and I am fascinated by what she can do with her face in the "How To Get Away With Murder" television series and I never miss an episode. Though I haven't seen any of the "Fast and Furious" films in which she has starred I have always felt some empathy for Michelle Rodriguez and her many run-ins with the law. I have heard a lot, both pro and con, about Cynthia Erivo regarding her star-making role on stage in the musicalized version "The Color Purple" but this is the first time I have seen her. Talking about the first time, I don't ever recall seeing Elizabeth Debick before but once you do you won't forget her and it would be a spoiler if I said anything more about that introduction!

The "Widows" is about women taking charge in basically what would be a men's genre, a heist film. Director Steve McQueen, mainly known for "12 Years A Slave", directs, and co-wrote the script with Gillian Flynn, author of "Gone Girl", keeping the pace quick with some outstanding camera work. There are many twists and turns and at points, just a bit too much regarding sex, race, politics and social issues along with too much unnecessary violence but the film is easy to follow except near the end, which I'll get back to in a minute. No matter where the film goes the women always hold your interest which makes this a better than average heist film.

I do have a couple of questions about the ending but discussing them here would give away some major points and give away some of the surprises so after you have seen the film let's talk!

The film could have been tightened up a bit regarding its over 2 hour playing time just by cutting out Robert Duvall's storyline, not that he isn't good but it really doesn't add anything to the film, the storyline or the heist but does add to the Chicago politics of the time.

Be prepared for some laughs, certainly a jump out of your seat once or twice and definitely a jolt at some of the violence but "Widows" entertains plus allows the audience to watch some fine acting by the actresses. I am not ignoring the men but it is hard talking about their roles without giving spoilers except to say, maybe, that Liam Neeson is Davis's husband or that Colin Farrell is Duvall's son, etc.

Just watching Viola Davis's face is worth the admission alone!
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8
Karmazyn83Jan 29, 2019
I will tell you what we have here. A good, crime drama, thats what we have. This is movie about real woman who are about discover how to survive in the man dominated world. Against all odds female cast is forced to work together to ensureI will tell you what we have here. A good, crime drama, thats what we have. This is movie about real woman who are about discover how to survive in the man dominated world. Against all odds female cast is forced to work together to ensure continuity of their existence. When man dies and our female heroines want to maintain good standard of living instead of going to work, quick cashing in sounds like better alternative for them, right? So we have fantastic acting here. There are lots of stars in this movie, everyone played really well. Among all of the great stars who played in the movie we have brilliant Viola Davis playing Veronica - a brain behind whole operation. Against all odds she unites with Alice ,played by Elizabeth Debicki, Linda, our lovely and all fans favourite Michelle Rodriguez, and Belle, super athletic Cyntia Erivo. All of them lost their husbands in the heist that went wrong and Victoria who inherited her late husband (Liam Neesons) next heist's plans is forced to carry on heist in order to save herself from just a little bit crazy in the head Jatemme played by Daniele Kaluuya. Lets not forget about Collin Farrell and Brian Tyree Henry who are in the movie to remind us that when it comes to money and power, greed and sick ambition do not distinguish between where you come from, when the game's stakes are high you will be dirty just like anyone else. Movie is tense, well directed and I encourage everyone to watch it. Most of the actors are well characterized in their roles and offer genuine, well rounded perspective on how is to try to survive in mighty Chicago. The plot can get little predictable but it does not matter much as movie is masterfully done. I give it 8/10 and encourage you to watch it. Expand
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9
SuttreeDec 21, 2018
To call this a thrilling heist film would be accurate, yet miss the mark. There is so much more going on than the very entertaining surface. McQueen has a keen eye for brilliant composition and the cast is excellent across the board. Just toTo call this a thrilling heist film would be accurate, yet miss the mark. There is so much more going on than the very entertaining surface. McQueen has a keen eye for brilliant composition and the cast is excellent across the board. Just to pick one small example, there is a "throw away" scene shot into the luxury SUV driving Colin Farrell home from a speech in a poor neighborhood. As we learn a little about his cynicism (and the public and private face), the homes outside quickly shift to upper class in a matter of blocks. There is much depth to the story beyond the entertaining genre. McQueen and his cast elevate the film to so much more then a successful heist story. Highly recommended. Expand
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7
JLuis_001Dec 26, 2018
I feel extremely conflicted with my feelings towards this film and I say this because on one hand I'm very pleased because it's a very good film but on the other hand I'm also very disappointed because it's a minor film coming from SteveI feel extremely conflicted with my feelings towards this film and I say this because on one hand I'm very pleased because it's a very good film but on the other hand I'm also very disappointed because it's a minor film coming from Steve McQueen.

His first film in 5 years in a way feels like a setback because he had been growing with each film he had been making and here he didn't. It's a very well made film. The cast is phenomenal and McQueen knows how to get the most out of them but I couldn't feel as amazed as I did with all his previous films and that's a shame and big issue.

Don't get me wrong Widows is very good film and a very good option to watch any day. Its quality is untouchable and undeniable but it's not the film I expected.
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7
amheretojudgeNov 24, 2018
McQueen's fourth installment of this amalgamation of pathos dark crime drama is the least McQueen-y up till now.

Widows McQueen's incongruent tale is perpetually stable in its tone. And it's that stability that helps McQueen stay on the
McQueen's fourth installment of this amalgamation of pathos dark crime drama is the least McQueen-y up till now.

Widows

McQueen's incongruent tale is perpetually stable in its tone. And it's that stability that helps McQueen stay on the track, no matter how much the narration fluctuates, from escaping gun shots to struggling through a trauma, his language speaks fluently to the audience. The script pretty much revolves around a heist-gone-wrong but it is a character driven feature with characters in aplenty. And often whilst fiddling with these many characters, the grip starts to lose in the narration but this is where McQueen swoops in and saves the day. The messy relationships, hidden past, cutthroat politics, morality conflict is the real ruggedness that keeps it grounded and essentially crispy.

On driver's seat, Davis has a tricky part to play. Her, resisting through the trauma and going on an entirely new track is equally competent and sincerely portrayed. Neeson as his supporter gets a lot on his plate than one would imagine and he has held on to it decently. The frustrated character of Farrell whose career is plummeting down and often at the borderline risk of being disclosed of his true self, bodes well with the storyline even though is stereotypical. His conversations with Duvall; who still can overpower anyone on the screen, are one of the finest bits of the film. Debicki, the "weak" link of the group, gets almost as wide range as Davis's complex character.

She gets to be the reason of the "pity" and also an inspiring phoenix natured symbol. Rodriguez's character is often game, and isn't put under any surveillance of crisis, her role is pretty much a bullet shot out from the gun and she delivers up to that. Kaluuya has a gritty role to fill in the shoes he does deliver the chills as far as he is on screen. In fact, his character is the one whose threat ticks behind the screen throughout the course of the feature. Since the lead cast is suffering for the screen time itself, the supporting ones like Bernthal and Coon gets lost into bits and pieces.

McQueen's adaptation with his co-writer Flynn is pretty much to make it as cinematic as possible and even though in its second act the script gets slow and non-provocative, the lift up or the elevation is then left to the performers. McQueen's fourth installment of this amalgamation of pathos dark crime drama is the least McQueen-y up till now. He has certainly evolved as a director and kept pushing himself on newer territories to explore. His lens and vision is what rejuvenates this almost a news channel to a compelling drama.

The conversations are written explicitly and with a poker face, the writers never explain the structure and aren't clearly ready compromise. Despite of having few cards hidden under the sleeve, the awe struck moments doesn't go as anticipated. This is McQueen's project where even though he offers everyone an equal chance to steal the show, he soars above all. Widows is an art that pulsates for a hearty non-biased sensitive message that is fabricated with blazing gunpowder and unapologetic deceit.
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8
LegitSaltFeb 27, 2019
Steve McQueen has been hailed by many as one of the best filmmakers working right now, with critically acclaimed films such as Hunger, Shame, and 12 Years a Slave. He certainly doesn’t disappoint this time either, delivering one of the, ifSteve McQueen has been hailed by many as one of the best filmmakers working right now, with critically acclaimed films such as Hunger, Shame, and 12 Years a Slave. He certainly doesn’t disappoint this time either, delivering one of the, if not the, best heist films of the decade. While it is true that the genre is generally niche and stale, Widows proves that you needn’t conform to genre clichés when making a heist film. The film has characters testing allegiances and getting even for the damage caused by a heist gone wrong. With a female-centred cast, McQueen reverses traditional gender roles in a uniquely interesting way. The movie’s resolution and success are brought about by the diminutive view that men in power have of women and in particular widows. Another unique element that the film manages to pull off is having two distinct “villain” parties, each of which being threatening in their own regard. However, the black gang, and especially Kaluuya’s character are viscerally menacing. Their intimidating presence is felt from their first scene, and they succeed where most villains don’t, i.e. they are neither overly lofty nor meek. Kaluuya could easily be the best villain of the year, when he wants something, he gets it, for the most part. The other “villain” party is the in-power, subtly racist white faction who seek to exploit the black community for profit, political advantage, and “their own good”. Through gerrymandering, misinformation, and abuse of power, Farrell’s character hits far too close to home. Generally, the writing is quite good, side a few scenes, and the acting is remarkable from all players. The final twist is seemingly cliché but resolved well. The heist scenes themselves were tense and rewarding. Overall, this movie delivers incisive social commentary accompanied by an engaging tale of mourning and revenge. Expand
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8
GrantD243Dec 2, 2018
Widows' story may fall under the generally crowd-pleasing genre of heist films, but Steve McQueen executes it in a realistic and gritty way that makes this one of the most surprising films of the year. The action is brutal and well utilizedWidows' story may fall under the generally crowd-pleasing genre of heist films, but Steve McQueen executes it in a realistic and gritty way that makes this one of the most surprising films of the year. The action is brutal and well utilized when it's needed, and the characters are all likable to a certain extent. Further, the story is enthralling from beginning to end. The "twist" is a little predictable, but it adds yet another layer to what is already a fairly complex film. It's just a well rounded film. Expand
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8
cameronhalmansJan 9, 2019
Widows is an engaging thrill ride with such depth and knowledge. Just go see it 73/100
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8
movieducationDec 10, 2018
After watching WIDOWS, it’s like being out of freezer after two hours. If you’re dead, you’re dead. If you aren’t, you’ll reach something stone-cold yet complex, twisted yet grounded, all is justified by the name of, seemingly simple,After watching WIDOWS, it’s like being out of freezer after two hours. If you’re dead, you’re dead. If you aren’t, you’ll reach something stone-cold yet complex, twisted yet grounded, all is justified by the name of, seemingly simple, survival ! The collaboration, colder, better. Expand
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8
LajaleaaDec 8, 2018
"Dolar signs and empty promises"
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( 83/100 ) . Dirigida por Steve McQueen nominado y ganador del Academy Award a Best Motion Picture Of The Year del 2014 por ser el responsable de 12 Years A Slave y también director de Shame (2011), Widows
"Dolar signs and empty promises"
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( 83/100 )
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Dirigida por Steve McQueen nominado y ganador del Academy Award a Best Motion Picture Of The Year del 2014 por ser el responsable de 12 Years A Slave y también director de Shame (2011), Widows es uno de los mejores guiones que he visto en éste año.
Widows narra la historia de un grupo de mujeres que busca la estabilidad después de que un accidente las dejara sin esposos. Esta historia está basada en el libro del mismo nombre escrita por Lynda La Plante, la adaptación la hizo el mismo McQueen junto a Gillian Flynn, escritora de, tanto la novela como el guión, Gone Girl (2014) y la reciente serie llamada Sharp Objects con Amy Adams y Patricia Clarkson.
En general, la película es un ejercicio correcto y profesional de cinematografía. Desde la primera secuencia el público puede darse cuenta de que el presupuesto no es ningún problema, y, gracias a eso, se siente como McQUeen dirige con toda tranquilidad y comodidad. Visualmente hay varias escenas interesantes de observar, varios planos y movimientos complejos para mostrar cosas simples que le otorga a la película cierto dinamismo visual y funciona como una carnada mental para el público. La fotografía también está bien cuidada, no es la más espectacular del año, pero la corrección de color, los planos y varias secuencias de persecución y acción, junto con los cortes que se agregan en la post-producción generan una actividad visual mur enérgica y activa. Es difícil no entretenerse con todo el juego y el casi espectacular viaje que los personajes tienen en la historia.
En los personajes hay una completud en sus posturas que hace sentir seguro al público. Cada una de las posturas se explica ingeniosamente a través de la forma en la que cada chica resuelve sus propios obstáculos. El elenco, conformado por la hermosisima e increiblemente talentosa Viola Davis junto a Michelle Rodriguez, Elizabeth Debicki y Cynthia Erivo, crean un gran interacción. Cada postura ofrece una versión personal y puntual del valor de la fuerza, la personalidad, el ingenio y la voluntad. A pesar de que la historia no las lleva a generar un drama puro, sí las guía hacia la toma de fuerza necesaria para ser imponentes en la pantalla. Ninguna de ellas se queda corta y todas sorprenden con la forma en la que adoptan el papel y lo expresan.
La historia o el guión es lo que más tiene éxito en este proyecto, pues su complejidad presenta una puesta en escena sobre un nivel de hostilidad social tan grande que parece absurda, pero es totalmente realista. El ingenio está desde la idealización principal, pues presenta varias situaciones de estabilidad que tienen el poder de representar a varias mujeres de la actualidad, y con el mismo ritmo veloz con las que las presenta, las libera. En medio de esa liberación las mujeres se encontrarán con la dificultad e ignorancia de saber qué hacer con esa libertad. Sin embargo, gracias a la unión de personalidades, la prioridad que le dan a recuperar su propia estabilidad les da un plan con el cual luchar. Y en medio de esa lucha cada mujer encuentra y se arraiga a su propio poder, sus propias capacidades y sus voluntades mismas de ser por ellas mismas. Como si fuera poco, en medio de ese empoderamiento, también se revelan problemas, complejidades y dilemas políticos y sociales que representan los problemas racistas, sexistas, clasistas, machistas, superficiales y estereotipicos que existen en la actualidad. Cada personaje tiene un propósito y cada propósito choca en una red social compleja y peligrosa que existe gracias a una cadena alimenticia de poder e intenciones. En esta historia, no importa quien seas, si no impones tu propia fuerza de voluntad, no conseguirás lo que quieres; pero con lo que nadie contaba es que las mujeres también pueden jugar, y también tienen una voluntad.
Widows explota en todos los sentidos: le da al público una película de acción decente y también le da un drama importante, sorprende con la sensibilidad que expresa en la transición de situación a decisión y entretiene con la intensidad de sus escenas de acción. Widows es una carta de empoderamiento que dicta qué, en este mundo lleno de hombres hostiles y sin humanidad, las mujeres son las ganadoras indudables del juego. No porque ella sean mejor que los hombres, sino porque los hombres están ciegos con su orgullo. Realmente me la pesé muy bien al ver Widows y la recomendaría, no solo por el suspenso bien creado, sino por los discursos bien construidos.
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7
m15964Feb 25, 2019
It doesn't clear that what is the manner of Liam Neeson's character in the whole story of the movie. The story has a lot of wholes about this character and unfortunately because it's the base of all events, it make the senario out of mind.It doesn't clear that what is the manner of Liam Neeson's character in the whole story of the movie. The story has a lot of wholes about this character and unfortunately because it's the base of all events, it make the senario out of mind. Right, we can't ignore the characterize of the widow but other widows are not sympathetic enough. Good job for the director and the actress but if you have major problems with stories that have a whole gap between the main characters, it won't be a good choice to watch (even the director job is great). Expand
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10
evamarieFeb 20, 2019
Rented this a couple days ago and I couldn't get this film out of my head so I bought it on amazon and watched it again. It is one of the best films of 2018 and a masterpiece in it's genre. It blows my mind this film was not nominated for anyRented this a couple days ago and I couldn't get this film out of my head so I bought it on amazon and watched it again. It is one of the best films of 2018 and a masterpiece in it's genre. It blows my mind this film was not nominated for any American awards as I feel like this is the type of film that film schools would lecture on. So many stand out things from gorgeous shots to a tight screenplay and that scene in the car was incredible! All of the characters especially Davis' and Debicki (she was incredible)were so interesting - and not take way from Rodriguez/Enrivo whom also held their own. The entire cast performance was stellar -and the social commentary was subtle and smart. The use of violence to drive the story and create tension and suspense was perfect. This film was a beautiful marriage of style and substance - It's a masterpiece. I may even give it a third watch with my teens to discuss it. The deliberately minimal score and soundtrack which hosted just a few select but perfect songs was noted. Expand
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9
geewahJan 5, 2021
Steve McQueen's smart, tense crime thriller is one of the movies of 2018. The casting of Davis in the lead role was great decision that really pays off.
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10
HabibiehakimSep 28, 2021
All the cast performance was amazing, but the one that really stole the movie entirely was Viola Davis, she is the real leader in this movie, and i cannot think any actress to play this role except her, besides all of that, Widows is aAll the cast performance was amazing, but the one that really stole the movie entirely was Viola Davis, she is the real leader in this movie, and i cannot think any actress to play this role except her, besides all of that, Widows is a brilliant story, with not only great but powerful performance and atmosphere in the movie, fills again with great cinematography, Widows is incredible. Expand
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8
DarkwingSchmuckJul 27, 2023
Widows is as dramatic as it is a tense, first rate heist thriller. Steve McQueen's female led crime drama echoes movies like Heat, with stellar performances by the entire cast. However, the second half isn't quite as strong as it focuses moreWidows is as dramatic as it is a tense, first rate heist thriller. Steve McQueen's female led crime drama echoes movies like Heat, with stellar performances by the entire cast. However, the second half isn't quite as strong as it focuses more on plot twists than the raw character drama of the film's first half. Expand
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