Sony Pictures Classics | Release Date: October 10, 2014
8.8
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Universal acclaim based on 1663 Ratings
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1,536
Mixed:
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Negative:
59
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10
Eon2323Jan 20, 2015
Absolutely breathtaking. There was something about this film that really resonated with me even as the end credits rolled. Hard-hitting and intense, Miles Teller and JK Simmons give some of their best performances in their respective rolesAbsolutely breathtaking. There was something about this film that really resonated with me even as the end credits rolled. Hard-hitting and intense, Miles Teller and JK Simmons give some of their best performances in their respective roles and even as I write, I can't find anything wrong with this movie. I always say a good movie makes you feel something with or without having taught you something. This film accomplished both. Expand
1 of 1 users found this helpful10
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2
royphishoohJan 19, 2015
Another disappointing Oscar "best film" nomination. Music is about joy, and there is very little joy portrayed in this tale; it is replaced by the same arrogance exhibited in "American Sniper". The mindless drive for an imagined perfectionAnother disappointing Oscar "best film" nomination. Music is about joy, and there is very little joy portrayed in this tale; it is replaced by the same arrogance exhibited in "American Sniper". The mindless drive for an imagined perfection belonged more on the American football field than in a music school. Expand
4 of 15 users found this helpful411
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9
LelchelseaJan 19, 2015
This review contains spoilers, click expand to view. In so little movies do you see such passion and intensity in a movie not just about music but about how far someone is willing to go to be who they want to be and do what they want to do. Teller and JK Simmons reminds me of the quote in The Dark Knight 'This is what happens when an unstoppable force meets an immovable object' Teller is shown to sacrifice nearly everything for a chance at the top, his family, his girlfriend and will go through hell if there is a slice of heaven. JK Simmons plays not only the tough guy but the guy that will push 99 percent of his students to breaking point. His acts even with honourable intentions can't even be justified but that is what makes his character such a stand out. He believes that what he does no matter how bad of a person he seems to be is not for him but to find the one percent that don't break from his hurling insults but rises. Whiplash is easily one of 2014 great films and will stand the test of time for not only music movies but movies as a whole. Expand
0 of 1 users found this helpful01
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3
AkashVijayJan 18, 2015
The movie glosses over reality on so many occasions that it's hard to take it seriously. Miles Teller and J.K. Simmons give great performances but they're both oversimplified characters. Simmons just plays a comic book villain. How no oneThe movie glosses over reality on so many occasions that it's hard to take it seriously. Miles Teller and J.K. Simmons give great performances but they're both oversimplified characters. Simmons just plays a comic book villain. How no one filed a complaint against him in his time at chauffeur is beyond me. Moreover how did he get a job as the conductor of a pro band despite the fact that he's been accused of emotionally torturing a boy to the point where he committed suicide? Shouldn't Fletcher be in jail? How is he walking free. Moreover some of his actions don't even make sense. He expels a student from the band who is in tune because he didn't know whether he was off tune but doesn't even take action against the one who's out of tune, even though he's completely oblivious to that fact as well? I'm sorry is it just me or is that a contradiction. Car accidents don't seem to bother our protagonist too much. That's the least of his problems. He just couldn't afford any scars at that time so he didn't get any. "There's no to words more harmful than Good Job"? Really? That's not dark, that's not bleak, that's just stupid and simplistic. Whiplash is a film about the pain that accompanies passion, and the blood that's shed on the road to perfection. But sadly, it doesn't execute well. The movie has some tense scenes but the overall result is contrived and unsatisfying. It has a few twists but ultimately it's the same conventional story about the tough love shared by the arrogant apprentice and the abusive master. Expand
2 of 9 users found this helpful27
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10
gdog243Jan 18, 2015
Whiplash is the movie I hope wins if Boyhood does not. What a great film this was, showing the passion, drive, and determination to be great and where the line is to achieve that greatness. Simmons is a lock for best supporting here as hisWhiplash is the movie I hope wins if Boyhood does not. What a great film this was, showing the passion, drive, and determination to be great and where the line is to achieve that greatness. Simmons is a lock for best supporting here as his role of the hardassed instructor and the ending of this film was a pulse pounding exhausting (in a good way) rush that I'm still feeling a few hours after seeing the film. Expand
2 of 4 users found this helpful22
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10
shonouJan 17, 2015
Drive, ambition, tense, emotional, blood, sweat and tears all the way. I felt like I had whiplash! Loved the Jazz and the intensity of the movie.... Excellent :)
1 of 2 users found this helpful11
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10
GuillaumeBorkhJan 16, 2015
The script runs in perfect tempo, relentlessly delivering every beat with tactful ferocity, yet It feels incredibly authentic. This masterpiece slaps you around, then elevates you to the greatest cinematic catharsis in years! A true musicalThe script runs in perfect tempo, relentlessly delivering every beat with tactful ferocity, yet It feels incredibly authentic. This masterpiece slaps you around, then elevates you to the greatest cinematic catharsis in years! A true musical thriller. THRILLER! Expand
1 of 2 users found this helpful11
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9
ariel84Jan 16, 2015
This review contains spoilers, click expand to view. don't dig too deep. just let yourself be carried away by the performances, the music, and the editing. once the film was over, i laughed at the idea of someone crawling out from a car wreck to get to a stage to play, even if the person was running on pure adrenaline. unless the person was anton chigur. and a teacher can be extremely tough without humiliating and physically punishing students. the first scenes where the band looked like very scared children, not daring to breathe seemed ludicrous. no reputable school would allow a fletcher. the lawsuits! but, it's a movie, it's not real, it's a great metaphor, and it is so true that that the worst two words you can say to a competitor is "good job". Expand
1 of 2 users found this helpful11
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10
FilmVirtueJan 16, 2015
By far the most incredible and effective display of pure cinematic and musical entertainment ever to hit a theater that had the privilege of playing such an extraordinary work of art.
2 of 3 users found this helpful21
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9
TheRocksBarneyJan 15, 2015
“Whiplash” is initially a captivating study about what it takes to be great and what is needed to become great, and it ends as a captivating study about what it is to be great. Miles Teller (playing Andrew Neiman) and J.K. Simmons (playing“Whiplash” is initially a captivating study about what it takes to be great and what is needed to become great, and it ends as a captivating study about what it is to be great. Miles Teller (playing Andrew Neiman) and J.K. Simmons (playing Terence Fletcher) are both absolutely fantastic in their respective roles and their performances are on par with those I loved witnessing in “Birdman” and they fit perfectly, as “Birdman”’s cast did with that films respective themes, with what “Whiplash” is all about.
Greatness, as I mentioned earlier, is what “Whiplash” is all about. Teller’s and Simmons’ drive reflect this, and it comes through in their characters. Andrew wants to be “one of the greats” and Fletcher wants to be the man to coach one of them. Yet this is certainly the absolute minimum of what I gathered about this film before I saw it. This kind of drive is in motion about halfway through the film, and “Whiplash” has several twists and turns in it before it finishes. Teller and Simmons develop extremely complex characters and what you come to realise is that what makes them complex is their drive. Andrew for example is an initially very easy character to understand and in some ways, to relate to. We’ve all wanted to be better and get great at something. But what takes “Whiplash” in a different direction from the one where we see Andrew asking the girl behind the counter at the cinema out is Fletcher. He pushes Andrew beyond “what is expected of him”. Watching Teller develop Andrew as a character is a fun ride although Fletcher swearing, slapping and throwing cymbals at him is not so much, but it’s all for a reason.
But is it necessary? Fletcher believes so, calling it “an absolute necessity” in a scene where he seems to reveal himself as the grand villain, right beneath our noses this whole time. “Whiplash” asks these questions and it’s almost as if the film sprouted from them, not that they came up and were developed as the film continued to shoot. Andrew and Fletcher’s relationship is an attempt at answering them, leaving it up to you whether the answers “Whiplash” puts forward are right or wrong. Are Fletchers methods the way forward? Could Andrew harness his talent and be great without Fletcher? Did Andrew have the talent to do such a thing? Is talent even a realistic construct? “Whiplash” asks all of these questions, and puts forward its answers here.
Of course Teller and Simmons are fantastic too and deserve the nominations they are getting. Simmons character is particularly well developed (and funny too) and again it is a joy to witness Teller’s development. Neither character can be described really. Simmons seems describable but there seems to be something beneath him that I couldn’t figure out and in one scene we see that he isn’t quite as tough as he seems to be. What surprises me though is how Simmons keeps winning awards and Teller does not. For me they are both brilliant and one does not outdo the other because in “Whiplash” you come to think of them as entirely separate individuals, and their relationship is instead an eternal one in regards to how it can be applied to several examples and asked whether it is one required for greatness.
What’s also worth mentioning is the films score. It’s brilliant. It really is just a complete appraisal of Jazz. Drums of course predominantly feature and although the score is not as good as “Birdman”s, again heavily featuring drums, the reason it is not is because the score in “Whiplash” is external and in “Birdman”, it’s internal, inside the cast’s heads. It has meaning and something to do with the film whereas in “Whiplash” it’s almost as if Jazz music and the drums in this case are being used as a way by which we can see Andrew become great. It’s another eternal concept of sorts.
“Whiplash” is definitely worth seeing and although I wouldn’t quite call it the film of the year, it certainly puts forward a good performance in several categories and has done well considering it was shot in 19 days and adapted from a short film. Most should come out saying “Whiplash” was a good film. It’s tense and has some good performances in it and asks questions, and talks about, greatness. It’s visually tense as well, helped along by slow-motion shots of sweat bouncing up and down off cymbals and blood dripping from a hand. Because of this, it was an utter relief, and felt hard-earned in some respects, to see the films ending.
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1 of 2 users found this helpful11
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8
nicholasbertJan 15, 2015
How is it that 3 million dollars are converted into Whiplash, and yet it takes 220 to produce Avengers? This film is definitive proof that you don't need big names (although Miles Teller and JK Simmons kind of are) to get big performances -How is it that 3 million dollars are converted into Whiplash, and yet it takes 220 to produce Avengers? This film is definitive proof that you don't need big names (although Miles Teller and JK Simmons kind of are) to get big performances - and that it doesn't all come down to production design and CGI and expensive shots to make a good movie.

Accompanied by a humble, warmly-lit cinematography, Whiplash has all it takes to be one of the defining music films so far, thanks mainly to the cast and the script. The plot halts on issues of teacher-student relationships and the importance of commitment, but the open ending suggests that might not be enough still - in substance, there is no "perfection" ever, but you have to try.

It's the inspiring yet abusive JK Simmons, with his somewhat witty insults and tight black T-shirt who makes the cut. Falling from heaven, repentance and redemption are all there. Watch it.
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2 of 3 users found this helpful21
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10
anshimanJan 15, 2015
Mortifyingly intense, intelligently scripted, brilliantly acted and beautifully shot, 'Whiplash' is an immaculate meditation on the virtue of perfection, and a sophisticated character study of a rising star; the person who wants to be 'one ofMortifyingly intense, intelligently scripted, brilliantly acted and beautifully shot, 'Whiplash' is an immaculate meditation on the virtue of perfection, and a sophisticated character study of a rising star; the person who wants to be 'one of the greats', and know it. Expand
2 of 4 users found this helpful22
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10
aaronbartuskaJan 12, 2015
It is easy to label this as the best film of 2014. The whole film is riveting and Teller and Simmons give outstanding performances. Like just seriously I can't say anything more about it go see it.
2 of 3 users found this helpful21
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2
zimmyJan 12, 2015
I've never felt so out of step on a movie as this. To me it was simply awful. Homophobic rants, ritual verbal humiliation and physical violence and I'm still expected to feel some kind of sympathy for the protagonist and still meant toI've never felt so out of step on a movie as this. To me it was simply awful. Homophobic rants, ritual verbal humiliation and physical violence and I'm still expected to feel some kind of sympathy for the protagonist and still meant to believe he'd be allowed to be a teacher in a top music school. Okay, in truth I wasn't bored...the performances are great and there are some fairly good moments but it's ultimately a cliched 'overcoming-the-odds' sort of thing that I've seen far too often in the past. Expand
4 of 16 users found this helpful412
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9
tvnewsguidoJan 11, 2015
It's a fairly simple film with some unexpected turns.

While the story seems like one you've heard before, "Whiplash" is a masterful telling. With stellar performances and a tight edit, the whole is elevated well beyond the sum of its parts.
1 of 2 users found this helpful11
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9
stakoJan 10, 2015
Often I've pondered weather a film (as a visual telling of peculiar a set of events) has to contain a metaphorically significant and deep story to be considered truly good, or to be simply beautifully represented, in all the ways cinema canOften I've pondered weather a film (as a visual telling of peculiar a set of events) has to contain a metaphorically significant and deep story to be considered truly good, or to be simply beautifully represented, in all the ways cinema can offer, is enough. In time, I began to realize that it depends on a series of factors, which in turn depend on another series of factors... and ultimately - the answer was no. But from this night onward, if I ever find myself in doubt again, I will certainly reach out to "Whiplash" to remind me that the answer is indeed no.
Not often does fate grant me the privilege of experiencing a movie that I want to watch again immediately after I've watched it the first time. Such was the case with "Whiplash".
The biggest surprise to me in this movie is the work done by Damien Chazelle (who has a rather unexceptional track record up until now), a name I even wrote down to remember, in hopes that he can maintain producing such wonderful works. Other than directing, cinematography has been superbly executed to it's fullest. Hence - my introduction; "Whiplash" does not offer a particularly deep or meaningful story, but it is a story very well told, very firmly blended with the craft of film making. This is the main reason "Whiplash" instantly became one of my all-time favorite movies - it is beautiful in it's simplicity of story, without sacrificing narrative.
Miles Teller and J.K. Simmons show off astounding acting and chemistry. Never have I though that a movie with a concept such as this can be so breathtaking and intense (often enough at the same time).
Everything about Whiplash beyond this point cannot be expressed by words. If the concept of "A Boy Is Learning To Play Hardcore Drums" is not intriguing to you, still you must give this a chance, because it's about that, but it manages to be so much more (as a film) within that. It establishes it's borders and finds freedom within. And that freedom is beautiful.
This is 2014's best flick and I recommend it to everyone and anyone interested in good, quality cinema and acting.
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1 of 3 users found this helpful12
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8
beingryanjudeJan 10, 2015
Whiplash is the epitome of blood, sweat & tears - on account of two incredible performances from J.K. Simmons & Miles Tiller, along with Damien Chazelle at the helm. Chazelle writes a thought-provoking and insightful look into ambition and addiction.
1 of 2 users found this helpful11
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10
ahasaJan 10, 2015
I salute you Damien Chazelle! What he has created is more than a movie, but a electrifying revelation which renders you from the core. A film about passion, dedication, jazz and a intense viewing experience(greatly due to the magnificentI salute you Damien Chazelle! What he has created is more than a movie, but a electrifying revelation which renders you from the core. A film about passion, dedication, jazz and a intense viewing experience(greatly due to the magnificent direction) . The performances, I am in aw of. J.K Simmons gives a performance of a life time with Miles teller reaching his own peak. Whiplash will leave you wanting more!! Expand
3 of 4 users found this helpful31
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5
csw12Jan 6, 2015
Whiplash is a one man show with J.K Simmons. The problem is all the characters felt unrealistic and when J.K Simmons isn't on screen there isn't much to like. Whiplash can be compared to Black Swan, only Black Swan was more convincing.
1 of 5 users found this helpful14
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7
Trev29Jan 5, 2015
There are some compelling performances here, although the movie does not live up to it. The movie lacks credibility. However, it is well paced with good editing.
2 of 5 users found this helpful23
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6
kriebelrJan 4, 2015
Positives: J.K. Simmons is terrifying, and really great. He plays a manipulative, abusive teacher that every student fears and longs to please.

Lots of times movies with music as a central theme have fake playing in them that is
Positives: J.K. Simmons is terrifying, and really great. He plays a manipulative, abusive teacher that every student fears and longs to please.

Lots of times movies with music as a central theme have fake playing in them that is distracting. This movie is filmed in such a way that the fake playing isn't distracting. In fact, if you don't know better, you won't know the difference.

The story has a ton of interest and holds your attention. There are quite a few shocks along the way.

The Negative: Plot holes...plenty of them. One or two are acceptable...but they became a distraction.

I wish they would have explored the family dynamic more, especially attitudes favoring sports over music.

I think they wrote Simmon's dialogue a little over the top. Yes it had to be shocking...but it was like "Full Metal Jacket" shocking. Over the top in my opinion, and subtlety would have been better here.

The final scene was unrealistic and stupid. Made a great movie just good.
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0 of 2 users found this helpful02
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8
j1trainJan 4, 2015
An impressively acted and tense film about a warped kind of encouragement and what it means to be great. J.K. Simmons will rightly earn big noms for this role. Miles Teller proves again that he's a young one to watch.
2 of 3 users found this helpful21
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10
joeyriosJan 2, 2015
I will show you that from one movie you can get a wave of words: Awesome! Brutal! Intense! Awe-Inspiring! Raw! Exhilarating! Electric! Vivid! Brilliant! Revolutionary! Exceptional! Majestic! Fast! Classic! Spectacular! Inspirational!I will show you that from one movie you can get a wave of words: Awesome! Brutal! Intense! Awe-Inspiring! Raw! Exhilarating! Electric! Vivid! Brilliant! Revolutionary! Exceptional! Majestic! Fast! Classic! Spectacular! Inspirational! Emotional! Dramatic! Heart-Stopping! Historic! PERFECTION!

'Whiplash' is one of the most music-emblematic and best-made films of this decade. And one of the finest motion pictures in the American cinema. This was a joy and an experience to watch!
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3 of 4 users found this helpful31
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9
thiiraneJan 1, 2015
I read some of the negative reviews below. I can understand their points. While there were some unbelievable parts, the screenplay was designed to take the viewer into the life of a young talented musician who wants to be trained to beI read some of the negative reviews below. I can understand their points. While there were some unbelievable parts, the screenplay was designed to take the viewer into the life of a young talented musician who wants to be trained to be better at a prestigious music school. Part of growing up and becoming a professional is self-recognition of your own skills and drive to be the best. In life, whether you are as a student, intern or staff employee everyone has their insecurities, this movie attempts to play upon the audience's insecurities through the eyes of the students and instructor in the film. To a large extent, I thought the writers and actors accomplished their goal. Expand
1 of 2 users found this helpful11
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9
ahnehnoisDec 29, 2014
It's quite an intense movie. I played and performed jazz for a decade or so, but certainly not at this level. The music and the performers are quite credible; I had expected to learn later that Miles Teller knew nothing about drums and wasIt's quite an intense movie. I played and performed jazz for a decade or so, but certainly not at this level. The music and the performers are quite credible; I had expected to learn later that Miles Teller knew nothing about drums and was just a really good faker as in most music films, but it turns out he is a drummer and did take intense training for this movie, and that authenticity strengthens the film.

The point of the movie though, is asking whether a high-stress teaching approach is a good thing or a bad thing. The director's behavior gets intense, and I do struggle to imagine that someone could get away with the things he does in the twenty-first century. It is, however, a provocative issue nonetheless. The way I read into the film, it's up to you to decide the answer to its thesis question: is this aggression and confrontation and abuse necessary to achieve at the highest level, or is it unnecessary? What's not in question is the pain, the question is whether it's worth it.

The trailers present the film as a twist on the schmaltzy teacher and student films we've been cursed with. If you're waiting for the other shoe to drop, if you're waiting for this film to abandon its central question and go back to the safe, boring narrative of an omniscient unflappable teacher and a student who just needs to get over himself and put his personal issues aside and then becomes instantly perfect, this movie never reverts back to that. I'd say that's a good thing.
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1 of 2 users found this helpful11
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10
MovieGuysDec 28, 2014
It might be over-the-top, but Whiplash is an amazing, electrifying, movie experience. As a committed musician myself, I can tell you that real conservatories do not run like the cutthroat one in the movie; however, the performances, theIt might be over-the-top, but Whiplash is an amazing, electrifying, movie experience. As a committed musician myself, I can tell you that real conservatories do not run like the cutthroat one in the movie; however, the performances, the cinematography, and the allegory-like screenplay make it intense and almost pitch-perfect. It is just my tempo. Expand
3 of 4 users found this helpful31
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0
TheDavoDec 27, 2014
A dreadful movie. The story line went from preposterous to idiotic over the course of the movie in true Hollywood fashion. The sociopathic instructor would not be teaching at any reputable university and would likely be in jail for assaultA dreadful movie. The story line went from preposterous to idiotic over the course of the movie in true Hollywood fashion. The sociopathic instructor would not be teaching at any reputable university and would likely be in jail for assault or hate speech. Spoiler alert - the hero not only survives a t bone collision with a big truck that flips his car but goes on to give the performance of his life while dripping blood. Seriously ? Expand
9 of 35 users found this helpful926
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9
Chazd3Dec 23, 2014
Many of today's top box office movies involve animated landscapes and whimsical creatures, CGI space aliens and spaceship tales. Whiplash is an emotional and personality driven clash of personalities. The performances are exemplary by the twoMany of today's top box office movies involve animated landscapes and whimsical creatures, CGI space aliens and spaceship tales. Whiplash is an emotional and personality driven clash of personalities. The performances are exemplary by the two leading men. If you are a music lover in general, this movie is totally absorbing. If you're a jazz fan (like me) it's off the charts! Expand
1 of 2 users found this helpful11
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10
epocDec 14, 2014
Wow. That was so intense, yet so simplistic. Whiplash follows the story of a drum player played by Miles Teller. He's extremely relatable as he wants this as his career, and is working so hard to get there; a situation we've all been in. WeWow. That was so intense, yet so simplistic. Whiplash follows the story of a drum player played by Miles Teller. He's extremely relatable as he wants this as his career, and is working so hard to get there; a situation we've all been in. We also see that he is not handling the pressure that well. He's in debt, he's barely paying the rent and is verging insanity. From this we want him to succeed, as we see that he is a good guy, but his incredibly bad luck is just bringing him down; again another situation we've all been in. The humanisation of this character is so engaging that even if there was no plot or dialogue at all in the movie, it would still keep audiences in their seats. But that's not the case. The plot presented before us may be simple, but it's execution is stellar in every possible respect - from acting to cinematography to music; it simply is a masterpiece. The story comes into play when our main character is at the end of his rope and is a mer millimetre away from giving up. However, he gains hope again when he has the opportunity to study in a class taught by this legendary music teacher played by J.J Simons. He gets in, but gets way more than he bargains for. Simons teaching methods are extremely cruel and some what sadistic, using physical, verbal and psychological torture to motivate his students. In addition to this, Simons's performance is absolutely and utterly impeccable. At every given moment some sort of malice is shown by him, making you actually fear what he might put Teller through next. It's easily the best performance of the year and Simons definitely needs to win an oscar. The film also makes you continuously have conflicting opinions on this character. For example, Simons will often say utterly evil yet hilarious things, that makes you question your own morality by finding it funny. But the best thing about this character is how real he really is. We've all had some sort of intelligent, charismatic yet malevolent boss or teacher that we've hated with every morsel of our beings. However, the greatest part of this film is at the end. After around a month of all of this, Simons deems Teller ready to preform, but also warns him that if he messes this up, he will suffer beyond anything he's ever felt. Mix that with excellent camera work and thematic music, and you have one of the most tension filled scenes in the whole of film history. It takes you through the scene at such a methodical, slow pace that just builds an extreme level of suspense. Without a doubt Whiplash is one of the best, if not the best film of 2014. Expand
3 of 4 users found this helpful31
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10
IndiefilmloverDec 2, 2014
A near pitch perfect film with fine performances by Miles Teller and J.K. Simmons. The filmmakers take a story that could have easily been cliche-ridden or just plain boring and found a way to keep the audience engaged all of the way to the end.
3 of 4 users found this helpful31
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0
TrueReflectionDec 2, 2014
I was quite disturbed to see that the reviewer's rated this film so highly. It explores the topic of how to inspire students to greatness. I felt like I was watching a time warp from the 1950s when some male coaches and teachers couldI was quite disturbed to see that the reviewer's rated this film so highly. It explores the topic of how to inspire students to greatness. I felt like I was watching a time warp from the 1950s when some male coaches and teachers could physically and verbally abuse students with homophobic and sexist rage, shame, and almost unimaginable humiliation. Further imagine a teacher who uses your deepest and darkest secrets such as the abandonment from your own mother to repeatedly scream at you "That she left you and your father because you are worthless pieces of s**t". Chazelle seriously subjects the audience to his belief that this deeply scarring rage and abuse is required to create a great musician. This movie is more of a deeply disturbing example of why many men will never begin to heal from the layers of shame, depression, and rage. I 'd hate to see this movie nominated for anything and suggest it's creator pick up a book about what really motivates people and recent research into shame, humiliation and the real material of greatness. Expand
6 of 30 users found this helpful624
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4
WiscoJoeNov 24, 2014
This cliched after-school special of a movie plays like a cross between Black Swan and Mr. Holland's Opus and every other "struggling genius underdog" movie ever made. Fine performances from Teller and Simmons and incredibly tight editingThis cliched after-school special of a movie plays like a cross between Black Swan and Mr. Holland's Opus and every other "struggling genius underdog" movie ever made. Fine performances from Teller and Simmons and incredibly tight editing can't make up for the thread-bare story and the unlikable, unrealistic characters. If you're interested in jazz or in drumming, seek out a local music venue and treat yourself to something real. Expand
7 of 13 users found this helpful76
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9
moviemitch96Nov 23, 2014
A very impressive spectacle of talent in all kinds of different forms is displayed in this expertly acted and intriguing film! Miles Teller and J.K. Simmons easily deliver intense, captivating, and certainly career-best performances, SimmonsA very impressive spectacle of talent in all kinds of different forms is displayed in this expertly acted and intriguing film! Miles Teller and J.K. Simmons easily deliver intense, captivating, and certainly career-best performances, Simmons without a doubt deserving a shot at the best supporting actor Oscar! Teller's drumming skills are also mind-blowing and the story goes in so many unexpected directions and pulls plenty of shocks and surprises throughout leading up to one hell of a grand finale! Overall, easily one of the year's best and most powerful films! Expand
2 of 3 users found this helpful21
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9
RabbitofDeathNov 22, 2014
Riveting and inspiring. Makes you a little less tolerable of the mediocrity that prevails in day to day life. The fact that the movie was created on a miniscule budget of $3.3M makes it even better. It is a raw and gritty depiction of theRiveting and inspiring. Makes you a little less tolerable of the mediocrity that prevails in day to day life. The fact that the movie was created on a miniscule budget of $3.3M makes it even better. It is a raw and gritty depiction of the struggle and sacrifice required to be great! Great script, acting and camera work. Expand
1 of 2 users found this helpful11
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0
RetiredNomadNov 20, 2014
If you like to watch emotional humiliation, by nasty people to both nice & nasty people, this is the movie for you. Having seen the high metascore, I restrained myself from walking out in the first 15 minutes. I had formerly enjoyed J. k.If you like to watch emotional humiliation, by nasty people to both nice & nasty people, this is the movie for you. Having seen the high metascore, I restrained myself from walking out in the first 15 minutes. I had formerly enjoyed J. k. Simmons for his pleasant smile & disposition. That smile was still there, as he used words to mutilate the spirits and confidence of young men. Thinking the movie had to get better, I waited until about 2/3 through when a cliched plot feature was inserted.

It is crazy that irrational yelling & screaming is viewed as a story. Pointless. For me, it was simply painful to watch. BTW - I've only walked out of one other movie in my life.
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8 of 23 users found this helpful815
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7
JacobNov 18, 2014
I’m have mixed feelings on this film. The acting is great with J.K. Simmons delivering as always, there is a great motivation story in here, the main character is relatable for a good chunk of the movie, and the film looks and sounds great.I’m have mixed feelings on this film. The acting is great with J.K. Simmons delivering as always, there is a great motivation story in here, the main character is relatable for a good chunk of the movie, and the film looks and sounds great. All of this makes it so frustrating when the film gets to the third act. The protagonist becomes unrelatable and unlikeable when you see how overly driven he is to succeed and when the film ended I wanted to distance myself from being like him as much as possible. The film also sends a mixed message telling viewers to work hard and succeed but also shows that downsides of overly driving yourself. The third act takes what could’ve been a wonderful film and just makes it pretty good. This is so heartbreaking for me as I was loving this movie for a while and then the third act came and it just made me want to punch the lead in the face. Now as I am writing this I have yet to see the reviews so I do not know if other critics feel the same way about the film but it wouldn’t surprised me if it got tons of acclaim and no one addressed it. In regards to whether or not I’d recommend the film I’d say see it for the first two-thirds but brace yourself after that because you might not like what you see. Expand
2 of 4 users found this helpful22
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10
alangeeNov 16, 2014
Simmons and Teller are incredible. Barely 15 minutes into the movie I was hating Simmons character. He was a real SOB to the extreme.Why any student would put up with such an abusive teacher is why many an athlete put up with a tyrannicalSimmons and Teller are incredible. Barely 15 minutes into the movie I was hating Simmons character. He was a real SOB to the extreme.Why any student would put up with such an abusive teacher is why many an athlete put up with a tyrannical coach. It's a way to make it into the big leagues or so they are led to believe. This was the most intense movie I've seen in a long time. I was drained when I left the theatre. Expand
6 of 6 users found this helpful60
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7
TVJerryNov 15, 2014
Miles Teller plays a student jazz drummer whose ambition drives him to extremes, while he endures the abusive tactics of a teacher/band leader (J.K. Simmons). Much like director Damien Chazelle's extensive use of close-ups, this film focusesMiles Teller plays a student jazz drummer whose ambition drives him to extremes, while he endures the abusive tactics of a teacher/band leader (J.K. Simmons). Much like director Damien Chazelle's extensive use of close-ups, this film focuses intensely on the personal dramatic conflict. Fortunately, Teller and Simmons create potent characters. The pace never lags, but the grueling encounters (and Simmons' character) sometimes push beyond reality. Still, it's a compelling character study. Expand
1 of 2 users found this helpful11
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10
BrianMcCriticNov 15, 2014
A story about a man's drive to be the best even when faced with an extraordinary obstacle. In this case the obstacle is J.K. Simmons who wants to create the next great one. Simmons deserves to be Oscar nominated and Whiplash should beA story about a man's drive to be the best even when faced with an extraordinary obstacle. In this case the obstacle is J.K. Simmons who wants to create the next great one. Simmons deserves to be Oscar nominated and Whiplash should be nominated in the best picture catergory. A+ Expand
5 of 8 users found this helpful53
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0
historyman1969Nov 9, 2014
About 15 minutes in, the sadistic, autocratic jazz (?!) instructor played by J.K. Simmons screams, berates and belittles a trombone player for being out of tune, kicks him out of the class, then confesses that the student wasn't really out ofAbout 15 minutes in, the sadistic, autocratic jazz (?!) instructor played by J.K. Simmons screams, berates and belittles a trombone player for being out of tune, kicks him out of the class, then confesses that the student wasn't really out of tune. That's when I walked out. My time is too precious for unrealistic crap like this. My first thought was how could such an individual get into a position of authority without students, parents, and co-workers all filing harassment complaints against him! It's just not believable. And then there's the fact that he's teaching jazz -- one of the most un-strict musical genres out there -- the whole point of jazz is spontaneity, improvisation, a willingness to BE imperfect -- I could believe an authoritarian conductor in classical music, but not in jazz. Expand
6 of 42 users found this helpful636
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7
yoda1991jagg199Nov 4, 2014
This review contains spoilers, click expand to view. This is not a film about Jazz. It is about a sadist who realizes he can prey on relatively innocent students successfully. It is difficult to watch bullying at this level. Expand
0 of 1 users found this helpful01
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9
GreatMartinNov 4, 2014
“Whiplash” is a winner in every aspect. You know when you want to go up to the screen and punch the bully or wrap the bloody fingers of the one being bullied that some strong acting is going on in the film.

The film starts with a drum solo
“Whiplash” is a winner in every aspect. You know when you want to go up to the screen and punch the bully or wrap the bloody fingers of the one being bullied that some strong acting is going on in the film.

The film starts with a drum solo and ends with one while in between you will be mesmerized by J. K. Simmons as musical conductor/teacher Terence Fletcher and a student of his, played by Miles Teller, Andrew Neyman. (By the way if a conductor has the arms that Fletcher has from conducting I am signing up immediately.)

Fletcher wants the best from his students in the hope of finding another Charlie Parker and Andrew wants to be a great, if not better, drummer than Buddy Rich and both will do whatever it takes. Fletcher abuses his students verbally and physically calling them names, throwing things at them, screaming in their faces. He is every Marine Drill Instructor who will grind his charges into the ground to get what he wants.

There are at least a minimum of 2 scenes that you will forget to breath and at least 1 scene where you will gasp out loud. There is no doubt both men will deserve nominations for all and any awards and right now they deserve to win! I don’t know if Teller did his own drumming but if he did he deserves recognition for superb drumming.

The supporting players from Paul Reiser as Andrew’s father to Melissa Benoist who Andrew pursues, and then drops because she interferes with his drumming, along with the other students who play or compete with him are all topnotch .

The music from the title song by the late great Hank Levy plus standards like “Caravan” and new music by Justin Hurwitz are all presented as jazz should be. It took me back to the jazz clubs on 52nd street, and in the Village, along with the sets at Birdland that I use to go to in New York City.

The direction by Damien Chazelle is spot on and in his writing the screenplay he leaves out a few logical things but enhances the movie with a short 1 hour and 46 minutes.

“Whiplash” is a winner all the way.
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2 of 3 users found this helpful21
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7
Mike_MOct 31, 2014
Very well shot, edited, acted and designed; with a fresh take on old ideas. The movie may have a very specific focus and be nothing earth-shattering on the intellectual side, but it's worth several Oscar nominations. The music is fantastic.Very well shot, edited, acted and designed; with a fresh take on old ideas. The movie may have a very specific focus and be nothing earth-shattering on the intellectual side, but it's worth several Oscar nominations. The music is fantastic. See it on the big screen.

As for the controversy around the abusive teacher, I would say that it's not necessary to feel that the teacher is justified or unjustified, good or evil, effective or hindering, in order to enjoy the movie and find interesting food for thought in it. If a semi-vicious teacher who, in the real world, would overstep the bounds of ethics and even effective technique, is a flaw in the movie, then it's not a damning one.
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1 of 1 users found this helpful10
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9
ScribeHardOct 28, 2014
With a fabulous jazz score, incredible direction from Chazelle, and precision editing from Tom Cross (editing that the film lives and dies with, and oh how it lives), Whiplash is like nothing I have seen before. The title might refer to oneWith a fabulous jazz score, incredible direction from Chazelle, and precision editing from Tom Cross (editing that the film lives and dies with, and oh how it lives), Whiplash is like nothing I have seen before. The title might refer to one of the songs from the film, but as the closing credits roll, it isn't surprising I grabbed the back of my neck and wondered what hit me. Expand
2 of 4 users found this helpful22
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10
amboyOct 27, 2014
This is one of the best American films ever. You don't have to be interested in big band jazz (although it helps) to be bowled over by it. It shows a teaching situation unmatched in its intensity and posing the question in one's mind (notThis is one of the best American films ever. You don't have to be interested in big band jazz (although it helps) to be bowled over by it. It shows a teaching situation unmatched in its intensity and posing the question in one's mind (not in the dialogue) of how far a teacher can go to inspire a student. Brilliant script, performances, direction, editing. A grand slam! Expand
2 of 3 users found this helpful21
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6
onceagainOct 25, 2014
Boring. Like every other movie white people in Hollywood made before. Prolonged shots of someone sweating while drumming does not immediately mean 'intensity'.
1 of 6 users found this helpful15
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10
LennyRuestOct 25, 2014
JK Simmons & Miles Teller deliver fantastic, intense performances. I was blown away by this film. If this movie doesn't garner some big awards, it will be a huge injustice to the film and the actors. AAA+++ Just An Incredible Movie, A MustJK Simmons & Miles Teller deliver fantastic, intense performances. I was blown away by this film. If this movie doesn't garner some big awards, it will be a huge injustice to the film and the actors. AAA+++ Just An Incredible Movie, A Must See!!! The drumming is spectacular!! Expand
4 of 6 users found this helpful42
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10
FleshWorldOct 24, 2014
There is no better movie in 2014 Than whiplash. That pretty much says it all. It's refreshing to see a movie that focuses on a subject like jazz drumming which doesn't get a whole lot of attention and other artistic ventures. Teller it isThere is no better movie in 2014 Than whiplash. That pretty much says it all. It's refreshing to see a movie that focuses on a subject like jazz drumming which doesn't get a whole lot of attention and other artistic ventures. Teller it is clearly a star on the rise. And JK Simmons is going to be justly rewarded for a masterful performance. Expand
3 of 5 users found this helpful32
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5
benuttyOct 20, 2014
If you've seen this already then you'll understand my clearest criticism: Damien Chazelle needs a Terence Fletcher in his life.

Aside from J.K. Simmon's performance and some stellar editing, I'm not sure there's anything spectacular or
If you've seen this already then you'll understand my clearest criticism: Damien Chazelle needs a Terence Fletcher in his life.

Aside from J.K. Simmon's performance and some stellar editing, I'm not sure there's anything spectacular or revolutionary here. If all you connect with is the thrill then this feels most like Black Swan (but better), and if you connect more with the story then its closest kin is The Devil Wears Prada (but better). Both comparisons make me sigh.
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1 of 5 users found this helpful14
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8
Brent_MarchantOct 19, 2014
A riveting tale of obsession and the search for perfection, with a career performance by J.K. Simmons and a breakthrough portrayal by Miles Teller. Terrific writing and superb film editing make this captivating chess match between student andA riveting tale of obsession and the search for perfection, with a career performance by J.K. Simmons and a breakthrough portrayal by Miles Teller. Terrific writing and superb film editing make this captivating chess match between student and teacher an engaging film, even if it's not everyone's cup of tea. Expand
1 of 3 users found this helpful12
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8
foxgroveOct 17, 2014
Whiplash is a real crowd pleaser which had the audience I saw it with clapping at the end. It moves at a cracking pace, has some very smart dialogue and boasts a couple of very strong performances from Miles Teller and J K Simmons. However,Whiplash is a real crowd pleaser which had the audience I saw it with clapping at the end. It moves at a cracking pace, has some very smart dialogue and boasts a couple of very strong performances from Miles Teller and J K Simmons. However, it is almost a film of two halves. The set up, and then the revenge. The first half of the film, whilst good, feels somewhat contrived.

Drum playing jazz fanatic Andrew (Teller) goes all out to impress respected but feared teacher Fletcher (Simmons) in the hope of joining the school band he leads. This he sees as his possible route to becoming one of the jazz greats. However, he hasn't bargained on the outrageous teaching methods employed by Fletcher which includes humiliating and even attacking his students. Their fragile interaction puts them on a collision course.

Both performances are undoubtedly excellent, but Teller really has the more difficult role and stands tall against Simmons more obvious grandstanding. As the cruel and foul mouthed Fletcher, Simmons shouts, swears and screams a lot, much in the vein of an army drill instructor, but these outbursts sometimes have the effect of appearing phony and calculated, merely there to elicit laughs or rouse an audience. Like wise, Teller's acquisition, and subsequent ditching of a girl friend, and scenes of him pushing himself on the drums to the point that his hands become blistered and bloodied, strike false notes. Again,they feel like plot contrivances which, although demonstrating sacrifices made on route to success, actually feel included just to provide fuel for the film's better second half.
The final half hour is very satisfyingly concluded as the two actors dual it out to thrilling and nail biting effect. The film also benefits from a great jazz score which permeates throughout and the film is briskly and imaginatively edited.
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5 of 7 users found this helpful52
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10
LamontRaymondOct 12, 2014
Easily the best movie of 2014 so far. It has all the hallmarks of a singular vision that was not messed with by a studio. 19 shooting days produced a marvelous film with two amazing lead actors. I can't remember a movie since The HurtEasily the best movie of 2014 so far. It has all the hallmarks of a singular vision that was not messed with by a studio. 19 shooting days produced a marvelous film with two amazing lead actors. I can't remember a movie since The Hurt Locker that produced anything close to this level of intensity. In a way, it also reminded me of Jiro Dreams of Sushi in the conductor/teacher/mentor's pursuit of perfection. These standards and pursuits are rare in society these days - and sure, the introduction of violence is arguably too much - but in a way, it's an admirable model. Expand
8 of 12 users found this helpful84
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9
dave89791Oct 10, 2014
Great flick

Super intense - my palms have almost never been as sweaty as they were during this

Amazing acting and music .
4 of 6 users found this helpful42
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9
BHBarryOct 10, 2014
"Whiplash" stars J.K. Simmons and Miles Teller in this story of a would be jazz drummer and his over zealous teacher/conductor in an elite and upscale music conservatory. Written and directed by Damien Chazille, this is a film that will"Whiplash" stars J.K. Simmons and Miles Teller in this story of a would be jazz drummer and his over zealous teacher/conductor in an elite and upscale music conservatory. Written and directed by Damien Chazille, this is a film that will appeal to lovers of jazz as it represents some of the best musical renditions ever seen on the movie screen. It is also a film that raises the question as to how far a teacher should go to "bring out the best" in his or her student. Messrs. Simmons and Teller are superb in the roles they play as they participate in some of the most intense student/teacher scenes one will ever see. Adding to their credibilty, we find out that in real life Mr. Teller studied drums from age 15 and Mr. Simmons holds degrees in voice, conducting and music from the University of Montana. As a result it’s easy to understand the believability of their respective performances. Having myself played in studio bands under the stewardship of a number of quality professors, the film had a special meaning for me. But, alas, this is what may make this really good film a commercial mishap since it is not for everyone and, by its very subject matter, may exclude a significant part of the viewing public. I give the film a 9.0 because, seen out of context and apart from other films, it stands out as a true work of art. The caveat here, though, is that if intense musicology, training and signficant jazz performances are not the viewer’s "thing", then this film will not be appreciated by him or her to the same extent as it was by me. Expand
6 of 8 users found this helpful62
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10
FranzHcriticOct 10, 2014
A tense and emotional film with fantastic performances from Teller and Simmons; they are one of music's best chemistry in movie history. The script keeps pace with endless and exhilarating tension. Damien Chazelle instantly has my respect,A tense and emotional film with fantastic performances from Teller and Simmons; they are one of music's best chemistry in movie history. The script keeps pace with endless and exhilarating tension. Damien Chazelle instantly has my respect, being this his only second work. It is well driven behind pitch-point direction. Expand
43 of 49 users found this helpful436
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