| TriStar Pictures | Release Date: July 9, 1993 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
1
Mixed:
3
Negative:
16
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Critic Reviews
Weekend at Bernie's 2 is made for a certain audience -- the indiscriminate movie-goer who will see almost anything that guarantees a few laughs. Those that belong to that group will find what they're looking for in this film. Almost all the humor is macabre and repetitive, but the film manages to be sporadically funny. Nevertheless, I find it hard to believe that many people will pay $6 or $7 to see a picture that has TV sitcom production values, writing, and acting.
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Weekend at Bernie's II has the tell- tale signs of a bad film directed by its screenwriter. There's lots of goofy shtick, and the actors seem to have been directed to act silly. Instead of playing for truth, they mug and overdo it, particularly McCarthy, and the result is deadly. [10 July 1993, p.C3]
It's a tossup as to which element of padding is more lifeless - the labored buddy stuff between McCarthy and Silverman, the empty comedy of gangsters Tom Wright and Steve James, or the lame buffoonery of corporate sleuth Barry Bostwick. As long as the calypso beat is on, Bernie staggers ahead, a pepperpot of zombie mirth. [10 July 1993, p.22]
Utterly atrocious. It returns Andrew McCarthy, the world's most pretentious actor under 30, to the farcical lead for which he's ill-equipped, trashes a slew of West Indian religious traditions, and manages to find only one really catchy tune - Arrow's soca-syncopated "Dancin' Mood" - in a soundtrack that ought to have sizzled. [15 July 1993, p.E9]
Which brings me to another odd point: for a movie so obviously trapped in the teen-comedy formulaics of the early-to-mid-Eighties, Weekend at Bernie's II has surprisingly few nude blonde women. It is, after all, set in St. Thomas, but even this sure-fire, lowbrow interest-booster is ignored in favor of McCarthy's smarmy mug. Good lord, man, where are Golan and Globus when we need them? I could go on, but why bother? Let's just hope that this projected series of films (and I use the term loosely) dies a quiet, unremarked-upon death unlike that of its title character.
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