| Cinéart | Release Date: November 22, 2019 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
23
Mixed:
1
Negative:
0
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Critic Reviews
IndieWireFeb 15, 2019
Watching the 90-year-old filmmaker pick through the scrapheap of her own memories and fashion the bits into a fresh perspective on the relationship between reality and representation, stillness and movement, life and art, it seems that Varda has become something of a gleaner, herself.
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Like much of her digital work in the twentieth century, Varda’s approach here is a kind of expansive introspection; it’s a film which looks both inwards and outwards at the same time. And like Varda herself, it pulls off the combination of a trundling, amiable pace with a biting intellectual acuity.
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The Observer (UK)Jul 21, 2019
What’s so invigorating is the way she gives each principle equal weighting, discussing her formal decisions, such as Cléo’s editing or the tracking shots that move right to left in 1985’s Vagabond, with the same intensity and enthusiasm as her more existential motivations (she describes her 1965 summer bummer classic Le Bonheur as “a beautiful summer peach with a worm inside”).
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RogerEbert.comNov 22, 2019
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