| Fox Searchlight Pictures | Release Date: April 17, 2015 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
16
Mixed:
19
Negative:
5
|
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Critic Reviews
The courtroom scenes are unapologetically over-the-top and sometimes excruciatingly exact in the details of the
murder, but you won’t soon forget Franco’s expertly nuanced performance. It’s as good as any work I’ve seen in a film in 2015, and True Story is one of the better movies to come along this year.
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The meat of the movie is the behind-bars rendezvous between Finkel and Longo, whose interactions raise questions of journalistic responsibility and the banality of evil. But when a closing block of text announces that the two men still talk on a semi-regular basis — a surprise, given the finality of their last on-screen meeting — it’s hard to shake the feeling that a truly complex liaison has been reduced to an acting exercise for a couple of moonlighting funnymen.
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The problem with True Story is that you wish there were more of it. The philosophical questions it encourages are like the tail that wags the dog. The truth becomes something of an obfuscation, and unlike films such as "Capote" and "Infamous," there’s not enough drama about the compulsive relationship between the writer and his felonious subject.
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Goold, a highly regarded British theater director making his debut feature, lacks the panache to realize this twisted relationship onscreen. Instead he’s made a stolid, well-acted, intelligent drama that respects the complications of Finkel and Longo’s storytelling agendas without bringing them to life.
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RogerEbert.comApr 16, 2015
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