Lot 47 Films | Release Date: November 30, 2001
6.6
USER SCORE
Generally favorable reviews based on 18 Ratings
USER RATING DISTRIBUTION
Positive:
8
Mixed:
9
Negative:
1
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10
JamesMOct 27, 2006
Perfection, in every single way, but I just can't explain why. It contains one scene of absolutely carnage, and another which left me very, very unsettled, both of which were very disturbing and gory, but somehow they contributed to the Perfection, in every single way, but I just can't explain why. It contains one scene of absolutely carnage, and another which left me very, very unsettled, both of which were very disturbing and gory, but somehow they contributed to the bigger picture, lifting a moody, spectacularly structured film into a higher realm. The result is a bloody, brilliant, bold and overwhelming experience. The critics know nothing - this is one of the greats. Expand
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10
FisherNov 11, 2013
Vincent Gallo is extremely talented in many ways. He is also complex sensitive, poetic and very funny. The public responses to him vary greatly. He is completely misunderstood and those who misunderstand his intensions and humor willVincent Gallo is extremely talented in many ways. He is also complex sensitive, poetic and very funny. The public responses to him vary greatly. He is completely misunderstood and those who misunderstand his intensions and humor will certainly misunderstand his masterful works of art. Gallo's performance in Trouble Every Day is fantastic Expand
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2
OregonJayBirdJan 8, 2015
I gave it 2 stars because I watched it to the end. I also gave it 2 stars because I was only slightly angry at myself for wasting my valuable time. I also gave it 2 stars because it deserves 2 stars.
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4
CaptainHowdyApr 28, 2019
Apart from about two very dramatic sequences, Trouble Every Day is a slow slog that goes more or less nowhere before ending suddenly and without warning. It's like Claire Denis came up with the one "big scene" and then decided to write up aApart from about two very dramatic sequences, Trouble Every Day is a slow slog that goes more or less nowhere before ending suddenly and without warning. It's like Claire Denis came up with the one "big scene" and then decided to write up a bunch of filler to go around it.

One redeeming factor: The "big scene" has one of the most realistic performances of a person in agony that I've ever seen. Pain is often poorly acted, but the performer here just nails it and makes the scene believable.
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