| Open Road Films (II) | Release Date: February 26, 2016 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
15
Mixed:
20
Negative:
6
|
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Critic Reviews
Just about every scene features an Oscar winner or an Oscar nominee or an Emmy winner and/or a first-rate character actor — and just about every scene is a bloody mix of taut thriller and utterly implausible noir plot point. This is a sordid but slick and gutsy mess that comes across like a cover-band version of a Michael Mann movie.
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The shifting loyalties and treacherous power plays that go on in Triple 9 are engaging, but Hillcoat especially shines in a series of three taut life-or-death sequences — one at the start of the film, one near the middle, and one at the end — that articulate more about who these characters are than anything they say.
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Well suited to Hillcoat’s gifts for low-boil suspense and brutal eruptions of violence in close, male-dominated quarters, the film has grit and atmosphere to burn but also a certain narrative sketchiness, as though unable to reconcile its sharp sociological portraiture with the pleasures of a more robustly plotted crime yarn.
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