Tornado
IFC Films | Release Date: May 30, 2025 CRITIC SCORE DISTRIBUTION
57
METASCORE
Mixed or average reviews based on 17 Critic Reviews
Positive:
8
Mixed:
8
Negative:
1

Critic Reviews

Critic scorePublicationBy date
60
EmpireBarry LevittJun 17, 2025
Deftly balancing multiple genres, Tornado’s occasional pacing issues are propelled by Jed Kurzel’s ferocious score, Robbie Ryan’s haunting cinematography, and standout performances from Kōki and Tim Roth. Read full review
50
Little White LiesDavid JenkinsJun 9, 2025
It’s laudable that Maclean wants to breathe new life into unabashed “B” material, but unfortunately the idiosyncratic touches have usurped rather than bolstered what should be robust, time-honoured noir framework, and we’re left with a film which leaves only a superficial impression and little sense of purpose. Read full review
60
Screen RantNadir SamaraJul 10, 2025
The film does a serviceable job of creating a revenge story, but leaves some meat on the bone in terms of narrative and visuals. Scenes come to a standstill and make a very short movie drag in places it shouldn’t. That being said, the final showdown makes it all worth it. Read full review
50
Slant MagazineAlexander MooneyMay 27, 2025
Tornado’s winking theatricality, thematic fixations with myth and avarice, and pared-down plotting add up to a heady concoction, but it’s more conducive to reflection than engagement. Read full review
60
The GuardianPeter BradshawMay 29, 2025
The pure strangeness of the movie commands attention and there is a charismatic lead performance by Japanese actor-musician Mitsuki Kimura, or Kôki. Read full review
60
The Irish TimesTara BradyJun 12, 2025
Tornado will frustrate the giblets out of anyone seeking narrative momentum or emotional catharsis. But viewers willing to sit with its stark silences and oppressive atmospherics can look forward to a singular, if rarely easy, watch. Read full review
40
The TelegraphTim RobeyJun 12, 2025
If production problems didn’t thwart Maclean and crew from making a proper fist of all this, the editing took its eye off the ball. Read full review
40
The TimesKevin MaherJun 12, 2025
There’s very little narrative sense here and even less psychological realism. Read full review
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