United Artists | Release Date: December 19, 1997
7.2
USER SCORE
Generally favorable reviews based on 190 Ratings
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Positive:
120
Mixed:
54
Negative:
16
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6
WalkingDead5640Jul 10, 2013
It's such a fun movie! So much great action and a bike and car chase! Pure Bondism. Watch this and feel the same thrills that went through my body when I watched this. The plot is over the top, but it's a Bond movie and damn good one.
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5
FilipeNetoFeb 19, 2018
Directed by Roger Spottiswoode and produced by Barbara Broccoli and Michael G. Wilson, has Bruce Feirstein script and is the eighteenth film in the franchise. In this film, Pierce Brosnan plays 007 alongside Michelle Yeoh, in the role ofDirected by Roger Spottiswoode and produced by Barbara Broccoli and Michael G. Wilson, has Bruce Feirstein script and is the eighteenth film in the franchise. In this film, Pierce Brosnan plays 007 alongside Michelle Yeoh, in the role of Bond-girl Wai Lin, Teri Hatcher, on the role of Paris Carver and Jonathan Pryce, in the role of Elliot Carver. In this film, James Bond will investigate a mysterious act of war between Britain and China, allying to an agent of the Chinese secret services. Quickly, the two spies will focus their attention on a mysterious and egocentric mogul media, which doesn't look at ways to keep himself at the top of the audience.

This is the second movie where Pierce Brosnan gives life to Bond and, as in the first appearance, he failed to surprise the audience. The actor is good and strives but failed to give authenticity to his Bond, even in action scenes, and convincing the public. Not to mention that, increasingly, advertising products will invade the film as if it were a plague. The plot, however, will help getting to forget such problems. In fact, the way the mass media influences the world thinking is still a concern for many people, particularly the anti-mainstream groups. Still, it's sad to see that, as happened with the previous film, this movie also has not sought a drop of inspiration in the novels of Ian Fleming. Another very positive point of this film is the excellent interpretation of Jonathan Pryce, in the villain's role. He managed to become truly relentless. The curious Q-branch gadgets back to deserve a positive note thanks to a BMW, which not only walks alone but also has a female voice. The opening theme of this film, sung by Sheryl Crow is, in my opinion, striking and worthy of being heard and appreciated.
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1 of 1 users found this helpful10
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6
Onlyclassicvg1Sep 2, 2022
ummary: When a media mogul (Jonathan Pryce) pits superpowers against each other to further his own agenda, James Bond must step in to prevent global pandemonium.
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6
DibbHansenJul 16, 2013
While it can have some entertaining action sequences, the story lacks- majorly. There are some good lines in there, but the film relies too much on action to make up for the lacking story, so it falls short. Plus, none of the characters areWhile it can have some entertaining action sequences, the story lacks- majorly. There are some good lines in there, but the film relies too much on action to make up for the lacking story, so it falls short. Plus, none of the characters are very memorable here... Expand
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5
MovieGuysApr 23, 2014
Sadly, Tomorrow Never Dies is a jumbled mess of a Bond; probably the worst of the Brosnan lineup. The plot is so implausible to the point where it's almost not fun anymore, and Hatcher definitely doesn't add anything to the movie. The actionSadly, Tomorrow Never Dies is a jumbled mess of a Bond; probably the worst of the Brosnan lineup. The plot is so implausible to the point where it's almost not fun anymore, and Hatcher definitely doesn't add anything to the movie. The action scenes are so-so, but overall the movie is a flop. Expand
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5
TyranianMar 4, 2020
If the villains weren't complete idiots in every situation this film would be better.
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5
BarneyOnMTJan 5, 2016
WHAT I LIKED: Some very thrilling action sequences and clasic Bond-style dialogue feature heavily here. It's massiveoy cliched - but not in a bad way
WHAT I DIDN'T LIKE: It is cliched, but also very formulaic, 'Tomorrow never dies' lacks
WHAT I LIKED: Some very thrilling action sequences and clasic Bond-style dialogue feature heavily here. It's massiveoy cliched - but not in a bad way
WHAT I DIDN'T LIKE: It is cliched, but also very formulaic, 'Tomorrow never dies' lacks interesting plot, character, pace or depth to keep it engaging. It leaves you kind of bored - and that's not a place you want to be
VERDICT: A truly forgettable Bond with only the action sequences to redeem this very formulaic Bond adventure.
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6
liamexeDec 9, 2022
"Tomorrow Never Dies" is filled with some of the worst elements that can be associated with the James Bond franchise: the lazy bricolage, the product placement, the annoying political correctness, the emphasis on action rather than espionage"Tomorrow Never Dies" is filled with some of the worst elements that can be associated with the James Bond franchise: the lazy bricolage, the product placement, the annoying political correctness, the emphasis on action rather than espionage or mystery, while much of what is supposed to be associated with it is frequently absent: the locations are frequently dull or urbane, the cars are uninspiring, and the women are too hard-bodied. It has a glossy, computerised sheen to it; there are almost no plot points and laser shows are sprinkled throughout the encounter. Expand
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6
ScryptkeeperJul 21, 2023
“Tomorrow Never Dies” is a serviceable entry in the 007 franchise that excels in setting up an interesting scenario for James Bond to navigate; placing him in the crosshairs of a looming world war in opposition to an influencial madman.“Tomorrow Never Dies” is a serviceable entry in the 007 franchise that excels in setting up an interesting scenario for James Bond to navigate; placing him in the crosshairs of a looming world war in opposition to an influencial madman. Though it stumbles a bit with a number of contrivances, the presentation as a whole draws in a fair measure of intrigue due largely in part to the on screen chemistry between the actors and the concise pacing of the story. Concerning the plot, the film introduces a curious angle wherein the main antagonist, Elliot Carver, weaponizes his news organization to spread misdirection and fallacies in the hopes of sparking a war between China and the Western world. With time running short before both sides are at each other’s throats, Bond is tasked with gleaning information from Carver’s wife; coincidentally an old flame of his. After her demise at the hands of Carver’s henchmen, however, Bond must swiftly alter his plans to accommodate this film’s “Bond Girl” Wai Lin, an agent of similar status within the Chinese government who crops up whenever the story decides that she should. After the two eventually team up to take down Carver and his lackeys aboard his formidable stealth ship, a final act occurs that is satisfactory overall. The greatest strength to the story overall is its palatable narrative and smooth pacing, as Bond’s romantic flings are kept to a reasonable minimum with some logical merit within the story. The greatest weaknesses, however, are the aforementioned contrivances that riddle the plot. These primarily include the character of Wai Lin showing up inexplicably multiple times with no direct through line, and a lack of consistency with Bond’s car’s armor and performance, alongside it happening to contain some abstract gadgets that would have stopped the agent cold in their absence. Though they didn’t destroy the tone completely, they were distracting nonetheless and begged further questions that could have been avoided with better writing.

As for the characters, Pierce Brosnan’s James Bond brought an enjoyable level of wit and humor alongside his debonair mannerisms that fit the role like a glove. Furthermore, this meshed well when placed against the eccentric and megalomaniacal tendencies of Jonathan Pryce’s Elliot Carver, who managed to hold up an intimidating (albeit stereotypical) villainous presence whose greatest downfall stemmed from his penchant for monologueing. Michelle Yeoh’s Wai Lin was fun and competent in equal measure, though could have used a dose of polish to fully flesh out her role within plot, which goes the same for the head goon - Stamper - whose Schwarzenegger-esque performance was only undercut by his lack of backstory. As always, gadget maker “Q” was a treat in his brief appearance, and Bond’s boss “M” was serviceable in her balance of intellect and responsibility for her position without appearing overreaching.

In conclusion, “Tomorrow Never Dies” is a solid entry within the franchise that lends enough plausibility for its streamlined plot and dynamic action sequences to work well alongside each other. Though a tolerable degree of suspension of disbelief is required to enjoy the film for what it is, it doesn’t detract too much from the experience being fulfilling for fans of series and newcomers alike.
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