| New Line Cinema | Release Date: May 14, 2021 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
22
Mixed:
16
Negative:
3
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Critic Reviews
Director Sheridan and his co-writers Charles Leavitt and Michael Koryta (whose novel is the source material) have fashioned a thoroughly engrossing tale filled with memorable characters, dryly funny dialogue and show-stopping, often brutal confrontations in which the weapon of choice varies from semi-automatic firearms to a deer rifle to a fire extinguisher to handguns to an axe to bare fists, depending on the circumstances.
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I imagine that, for some, the movie’s structure will play unevenly, seem a little weird in its jumping and drifting. But the contours of this story, and the tinges of genuine melancholy thrown into our path along the way, are very much to the point. They make it all work, and make it worth it.
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As directed by Taylor Sheridan, Those Who Wish Me Dead offers a much bigger sandbox for the gifted actor-turned-action maven, whose scripts for “Sicario” and “Hell or High Water” have launched him to the front of a genre dominated by CG robots, superheroes and other IP once associated with Saturday morning cartoons. Such movies are plenty popular, but this one marks a welcome departure — one intended for grown-ups seeking more “realistic” diversion — without shortchanging audiences when it comes to either spectacle or sound.
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There’s more than an echo here of The Client, the 1993 John Grisham adaptation which saw Susan Sarandon playing a maternal role to Brad Refro’s 11-year-old Mafia witness. But the surrogate mother-child bond barely develops here, as Hannah and Connor leap from one near-death experience to the next in this relatively brisk 100-minute film.
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The Film StageMay 14, 2021
Those Who Wish Me Dead is a violent, enjoyable action film that doesn’t aspire to preach. Instead, the film foregrounds Angelina Jolie reclaiming her title as a preeminent action star, moving at such an energetic speed that by the time you start to think about the sheer insanity of the plot, the credits are already rolling.
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Agreeably straightforward, Those Who Wish Me Dead is also thin as kindling: It threatens to disperse into embers as you watch it. And there are limits to its ruthless economy. For as unsentimental as Sheridan’s approach looks from a distance, everything with Jolie’s anguished Hannah feels hoary and even a touch maudlin.
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IndieWireMay 12, 2021
Those Who Wish Me Dead might be missing the extra gear required to make it as much of a touchstone for contemporary audiences as the likes of “Executive Decision” or “The River Wild” are for anyone who was saw them in the ‘90s, but watching this kind of film claw its way onto screens at a time when it seems so outmoded is enough to make you happy that it hasn’t been completely killed off yet.
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