| Walt Disney Studios Motion Pictures | Release Date: November 3, 2017 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
47
Mixed:
4
Negative:
0
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Critic Reviews
The film’s deadpan good cheer makes room for big-budget spectacle and a modicum of emotional depth, but a self-effacing vibe and pop-culture giddiness work the best here — necessary countermeasures as Marvel fights against the inevitable creative fatigue incurred after a decade of multiplex dominance.
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A goofy, kitschy- but- fun romp and the most purely entertaining of the three Thor movies, marked by its distinctive designs, ‘80s synth score, and assemblage of spirited characters. It’s carried by the excellent chemistry between Thor, Hulk, and Valkyrie, who give humanity to a visual effects-heavy spectacle that finally makes good on Thor’s title of God of Thunder.
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The movie is fun enough, and Waititi shows enough moxie and goofy wit throughout, that instead of feeling glad that he’d been hired to direct the movie, I felt a little sad that he had to bother at all. Meaning: hopefully, Ragnarok will be a big hit and will write Waititi a blank check to do whatever flight of prickly whimsy he wants to do next. For that, it was probably all worth it.
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This movie is so colorful and zippy and packed with outlandish supporting characters, that Hemsworth’s job is relatively easy. He just needs to look great, kick ass, nail the one-liners, and ride off into the sunset (or Avengers: Infinity War, whichever comes first). Thor: Ragnarok is sort of like a giant flatscreen TV hanging on a wall with an enormous hole in the middle of it. The TV is beautiful, but it doesn’t fix the hole. It just covers it up.
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An excess of levity can quickly become its own kind of leadenness, and for long stretches between its genuinely amusing gags and set pieces, Thor: Ragnarok, credited to the screenwriting trio of Eric Pearson, Craig Kyle and Christopher Yost, is a bit too taken with its own breezy irreverence to realize when it’s time to rein it in.
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