| Oscilloscope | Release Date (Streaming): November 20, 2020 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
13
Mixed:
2
Negative:
0
|
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Critic Reviews
That core idea here, the pole in the middle of the merry-go-round, is that the stuffy, secretive King, as Robertson Davies suggests, is the embodiment of Canada’s locked-down colonial psychology. The Twentieth Century is a strange creation, though but there’s nothing unusual in the notion that Canadian blandness may be a form of camouflage. Anyone who has read history, or for that matter, watched a hockey game, knows that.
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Rankin has a made a great film about Canada and an even greater one about the kinds of subjects somewhat contraband in our home and native land: unbridled romantic longing, living in fear of one’s own mother, a perverse desire to masturbate with a dirty work boot, political ambition and shame.
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IndieWireNov 18, 2020
While there’s a certain “muchness” to Rankin’s style, and it goes without saying this won’t be everyone’s cup of tea, the filmmaker’s refusal to temper his vision serves him well in the long run, as his feature debut eventually achieves an operatic wackiness that carries it over the finish line.
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