The Swan Princess

Of all the recent Disney wannabes, THE SWAN PRINCESS comes closest to capturing the ineffable magic of THE LITTLE MERMAID and BEAUTY AND THE BEAST. With its scrupulous attention to background detail and buoyant song score, this animated delight is a children's film crafted with enough sophistication to weave a spell around cynical grown-ups. Read full review

Perhaps the most pleasing aspect of the film is its fluid, unhurried pace. Rich and his team aren't interested in roller-coaster effects or sledgehammer manipulations. They have a lush, original sense of color, even a flair for the poetic. The score -- by lyricist David Zippel and composer Lex de Azevedo -- isn't terribly distinctive (it's probably the movie's weakest link), but there is a merciful absence of the hard sell in that area as well. Read full review

With its modern sensibility and a visual look beautifully steeped in tradition, The Swan Princess takes a well-deserved place in the circle of animation. Read full review

Loosely based on the legend that inspired "Swan Lake," and blatantly borrowing the formula of Disney's "Beauty and the Beast," this animated musical turns out to be funny and enchanting on its own. Directed by Richard Rich, who started an animation company after 14 years at Disney, "The Swan Princess" makes first-rate copying seem like a good idea. Read full review

Sprightly and engaging, it unfolds with clarity and makes excellent use of its voice talents, most notably that of Jack Palance as the villainous Rothbart; the colorful witty, familiar menace of his voice allows him to all but steal the show. [18 Nov 1994]

The movie isn't in the same league as Disney's big four, and it doesn't have the same crossover appeal to adults, but as family entertainment it's bright and cheerful, and it has its moments. Read full review

There's almost no violence in the film, which favors natural settings and, for weaponry, archery. Only one scene, when Rothbart appears as a bat, is strong enough to make kids shudder a little. The script chirps with funny interplay between the animals. Read full review

A marvelous feature-length cartoon with handsome illustrations and sweeping musical numbers that rival Disney's own, it's a promising debut from Rich Animation Studios, founded by former Disney director Richard Rich (The Fox and the Hound) and a team of Mouse Factory refugees. [18 Nov 1994, p.4]

The Swan Princess may be derivative but it clicks, as ex-Disney animator Don Bluth's latest films ("Thumbelina," the video-bound "Troll in Central Park") have not. With just one movie in release, Rich is starting to look like the only other animation game in town. [18 Nov 1994, p.G33]

Despite its problems, The Swan Princess is actually one of the better non- Disney animated productions to come along in a while. While the creators of Beauty and the Beast, Aladdin, The Lion King, and Pocahontas need not feel threatened, parents looking for something different to take their offspring to might find something worthwhile here. Read full review

There are points, most notably and predictably in the action sequences and set numbers, where The Swan Princess comes within hailing distance of the Olympian standards that are now almost routine at Disney. What the film lacks is an equal sophistication in story-telling that talks to children on an almost subliminal level about their fears and fantasies while royally entertaining them. It is that quality, as much as technical skill, that sets Beauty and the Beast and The Lion King in a class by themselves as the finest achievements of the Disney renaissance. [18 Nov 1994, p.06]

If imitation is the sincerest form of flattery, The Swan Princess is dripping with appreciation for Disney cartoons. [18 Nov 1994, p.54]

The backgrounds, it must be said, are the most impressive features in the picture: Vibrant with color and often deeply evocative, they make you wish something a bit more lively was happening in front of them. [18 Nov 1994]