| Embassy Pictures | Release Date: March 1, 1985 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
15
Mixed:
2
Negative:
1
|
Critic Reviews
The Sure Thing is at heart a sweetly old-fashioned look at the last lap of the coming-of-age ordeal in which the sure thing becomes less important than the real thing. Realization may not be earth shattering, but in an era of fast food and faster sex, return to the traditional is downright refreshing.
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The comedy in The Sure Thing is genial and unforced. Most of it develops organically out of the characters and their situations. It doesn't grate and it doesn't interfere with the evolution of the central relationship, and it's effective enough to provoke the occasional laugh or smile.
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The Sure Thing is queasily old-fashioned, a raunchy road trip without the raunch that nonetheless trades on sex-comedy stereotypes: party animals in Hawaiian shirts, tea-sipping no-fun-niks in neutral-colored sweaters, and a compliant blonde sex doll that is, in fact, a sure thing. The film takes baby steps to something better.
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The only problem with the movie is that it really has little to say beyond the acknowledgement of young love. By contrast, Benjamin's Racing With the Moon, was so careful not to be clever -- in the process telling a good deal more about real feelings -- that The Sure Thing feels lightweight. It's nicely made and well-acted, and it is a bauble nonetheless. [1 Mar 1985, p.C11]
That's the problem with The Sure Thing. All the good lines are given to Cusack -- he's always "on," narrating his own life in the revved-up spiel of a sports announcer. For Cusack's Gib, life is performance -- his long quill of a nose even seems to look for his audience's ticklish spots. But why would he bother with Alison? Screenwriters Steven L. Bloom and Jonathan Roberts have sketched her as an annoying scold, leaving Zuniga little to do but bray disapproval at everything. [4 Mar 1985, p.B3]
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