| A24 | Release Date: February 11, 2022 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
13
Mixed:
5
Negative:
2
|
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Critic Reviews
Josephine Decker’s screen version of the Jandy Nelson young-adult novel, which was adapted by the author, embraces excess as an expression of the heroine’s mercurial spirit. Sometimes the results are excessively excessive, blithely blissed-out or simply clichéd. Mostly, though, they’re funny, affecting and endearing. And daring.
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Decker proudly revels in Lennie’s scattered uniqueness, even as Lennie navigates the minefield of her choices and says some truly kooky things (“I wish my shadow could get up and walk beside me”). YA movies might not be your bag, but if they are, perhaps the NorCal vibe of “The Sky Is Everywhere” will strike a weepy chord.
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The Sky Is Everywhere is an emotional ride, one that frequently skirts the line between sharply truthful and painfully saccharine. (Usually ending up in the realm of the former, but not always.) Yet its whimsical, fairytale feel generally keeps the story from feeling like something you’ve seen before.
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The Sky Is Everywhere finds director Josephine Decker indulging in affectation overload in an effort to imbue her adaptation of Jandy Nelson’s young-adult novel with uplifting magic. Whereas individual moments might work on their own, however, the “Madeline’s Madeline” auteur’s latest never provides its romantic tale with room to breathe, so intent is it about operating with maximum whimsicality.
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