The Shadow

The period detail, the makeup effects, the computer-generated transformations, and Jerry Goldsmith's brassy score are all excellent. The Shadow also manages to make fun of itself without ever letting the self-parody get out of hand, or disintegrate into camp. For what is essentially a summer slugfest, The Shadow also has unusually rich character performances. [01 Jul 1994]

The movie has a hallucinatory intensity that is skillfully mixed with light-comic relief and straight-faced farce. It never takes itself too seriously, and never veers too far in the other direction by surrendering to self-parody. [01 Jul 1994, p.3D]

If you respond to film noir, if you like dark streets and women with scarlet lips and big fast cars with running boards, the look of this movie will work some kind of magic. The story itself may not be so mesmerizing, but who really cares? Style and tone are everything with a movie like this, which wants to bring to life a dark secret place in the lurid pulp imagination. Read full review

The Shadow is more than just the product of the trend to make high- tech features out of '30s superheroes. It's adventurous film-making, genuinely enthusiastic and genuinely inspired. [01 Jul 1994, p.C1]

Style is almost everything here, and it's a tough call whether the star is handsomer than the sets. Read full review

Director Mulcahy's fast-moving dynamic, aided by cinematographer Stephen H. Burum's rhythmic shots, editor Peter Honess' zesty punctuation and composer Jerry Goldsmith's titanic score, brings necessary bulk to The Shadow's surface dimension. [01 Jul 1994]

The film still looks great, as does Baldwin, but the tense tale of the fight against Shiwan Khan -- a cooly evil John Lone -- becomes a silly, sloppily developed world takeover story pulled from the Batman TV show, characters stall, and the humor goes broad. Read full review

Like its own hero - and so many recent films - The Shadow suffers from a split personality. At some moments, this can have a poetic impact. More often, though, it seems the result of sloppiness. [01 Jul 1994, p.05]

The Shadow's problems have nothing to do with the basic premise; rather, they are flaws in execution. The setup promises something more invigorating than it delivers. Read full review

The Shadow is more a triumph of window-dressing than cinema. It's dress-up, not drama, but it's a pile of style. [01 Jul 1994, p.49]

Although Baldwin helps add substance to this frequently flippant movie with his earnest (when called for) performance, The Shadow isn't as grave or as chilling as the old radio serial. Here, the Shadow is resurrected in the service of tongue-in-cheek summer escapism. [01 Jul 1994, p.29]