| Paramount Pictures | Release Date: November 14, 2025 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
22
Mixed:
26
Negative:
4
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Critic Reviews
For all of the multiplex-friendly fun Wright’s conjuring with this over-the-top spin on dystopian sci-fi blockbusters, the prevailing feeling here is dread. Most filmmakers would have diluted the grit and genuine sense of moral free-fall. Wright doubles the dosage. Every adrenaline rush comes with a chaser of low rage and simmering despair.
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A lively, satirical stab at modern-day reality TV, scary big-brother technology, cultural dissension and rampant income inequality, all slathered in blood-soaked ultraviolence and bonkers charm. And don’t worry, old-school Arnold lovers: It’s so insanely different from the original movie that you can adore one without losing any love for the other.
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IndieWireNov 11, 2025
Its ending might cop out of the novel’s most ghoulishly prescient detail, but that isn’t enough to completely neuter the rare Hollywood product that dares to stoke our anger rather than mollify it — that reminds us that our rage is a valuable resource worth a lot more than money, and one that we can’t afford to waste on each other.
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It’s a very well put-together film, and more so than not, it’s full of charming performances, clever little details and some less-outlandish-than-I’d-like social commentary. Even though Edgar Wright’s stamp isn’t clearly on every sequence like some of his previous work, The Running Man sprints where it needs to, giving Glen Powell his first chance to be a full-fledged action hero.
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Wright’s flair for freakazoids remains undeniable, but his focus on rebellion obscures the cruel machinery that incites it. That reluctance to linger too long in the muck of this world—to give perceptible shape to the apathy that creates this level of soulless greed—leaves Ben fighting an abstraction. It’s a devil we’re familiar with, just not one this film is willing to face head-on.
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